Angel of Mine (2019): Drama / Mystery / Thriller

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Years after losing her daughter in a fire, a woman’s mental state takes a turn for the worse when she starts thinking that she is still alive.
Have you ever started watching a film not knowing anything about it other than something, down the line, somewhere is going to really go sideways and you just don’t know what that is?

Well, Angel of Mine happens to be one of them. A constant agony of what Lizzie (Noomi Rapace) is gonna totally screw up to the highest degree. The success of the film relies on that and it does indeed achieve it. Part of the reason is because kids are involved and part of it is because adults like her are involved.

As the slow-burn escalates, while nothing really substantial happens, you won’t stop wondering how far is she gonna take it?! And then it’s the ending… but I’m gonna leave that up to you. My only comment is that Fatal Attraction (1987) was that successful because of that kind of escalation; that climax. Anyhow, congratulations to both Noomi Rapace and Yvonne Strahovski for their remarkable performances.

Over the years I have convinced myself that a film should not have a single mood from the beginning till the end. Angel of Mine is unsettling and dead creepy throughout. And even though that’s not a plus, the abyss of the human mind, the vastness of its capabilities, the infinite goodness, but also its unfathomable limits to cause pain in any shape or form can be terrifying.

Stay safe!

He’s Out There (2018): Horror / Thriller

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A family vacation at a lakehouse becomes a nightmare for a mother and her two young daughters who become part of a psychopath’s deranged fantasy.

The oversaturation got me thinking from the opening shot. “Is there a purpose”? “What does this DOP offer to the story”? Anyway, the story itself showed signs of unoriginality since the early stages. The journey started, they made it to the house and, thankfully, the tension started building up and becoming interesting. And then, the uncreativeness came back stronger and ruined the film with tons of cliches and a high level of improbability.

Yvonne Strahovski has proven to be a versatile actress with tremendous potential. Even in a film like “He’s Out There”, she’s very convincing and she was the only reason I watched the film. Anna and Abigail Pniowski are not to blame for their performances here. This burdens solely the director.

Shame really as the potential was there. “Old wine in a new bottle” doesn’t mean to copy randomly (and badly) existing, successful styles, mix them up and paste them in a new movie.