Annabelle Comes Home (2019): Horror / Mystery / Thriller

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Annabelle, Ed and Lorraine Warren’s most dangerous artifact, becomes the beacon, attracts and brings to life all their other possessions when their daughter, her babysitter and her friend accidentally unleash her.

Following my previous mediocre reviews on the conjuring universe after Conjuring 2 (2016), Annabelle comes home, we get to watch her, and here we are… Having been disappointed, frustrated and in the end infuriated with The Nun (2018) I will admit I was kind of biased. The strong opening sequence though got my attention straight away, and the whole duration of the first act and beginning of the second started proving me, thankfully, wrong. I can’t remember last time I watched a paranormal horror taking place in broad daylight and have this effect on me. By now, Annabelle has my undivided attention. Then, the sun goes down… and so does the story! And I’m screaming “why?!?!”. Once again, the cliches take over and degrade the film and all its potential. I’d like to be fair here though so I’m gonna give you two ghost pros and two cons. Then you watch it if you haven’t already and make up your mind.

Pros:

  • The Ferryman is innovatively portrayed and everyone involved deserves a round of applause.
  • Daniela’s sequence in front of the TV is hair-raising.

Cons:

  • The dismantled by the guitar and reassembled foggy Werewolf. That’s right…
  • The incredible misuse of the samurai.

I never spoil a film but the following deserves mentioning. Apologies, but I can’t help it. My greatest disappointment in the film is Daniela’s dead father. So. Much. Potential. Wasted! Daniella is the only one who blames herself for her father’s death and he shows up accusing her! Big mistake as there are bad and good ghosts (as they point out). A mistake that gets even bigger when he doesn’t save her when she needs him the most, and which is blown out of proportion when Lorraine shares with her in the end that he told her to tell Daniella that she shouldn’t be so hard on herself. I’m not saying anything else. If you disagree, by all means, please let me know. Apologies once again for the spoilers but I felt like it could not be left unsaid.

I’ll finish up with a positive. Congratulations to all three girls for their stupendous performance. Shockingly believable!

The Curse of La Llorona (2019): Horror / Mystery / Thriller

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A mother and her two kids are haunted by a malevolent, supernatural presence that turns their lives into a fight for survival.

So… here is my review on The Nun (2018) https://kgpfilm.reviews/2018/11/27/the-nun-2018-horror-mystery-thriller/. La Llorona is not as bad. The great photography provides the viewer with an eerie atmosphere and the acting is convincing. The same major problem exists though. The messy, inundated with gimmicks and cliches story. I cannot stress enough that the script’s problems cannot be covered by visual or sound effects. In this day and age, jump scares alone don’t make a horror scarier. Only more marketable.

On one hand, I’m glad the film did well as Linda Cardellini needs and deserves that spotlight. She’s a really good actress and we need to see her in major roles more often. It was good to see Raymond Cruz in a film as well. It’s been too long. On the other hand, as long as films like that do well, the producers will keep producing them and the rest of us will run out of horrors to watch (that is, other than real-life horrors).

The Conjuring universe has turned into a bloody “borefest” that one just can’t stop snoozing. I haven’t watched Annabelle Comes Home (2019) yet so, I’ll let you know when I do.

Damn, I hope it’s better…