Four African American veterans return to Vietnam for the first time after the war ended to find their fallen brother and leader and claim something they consider rightfully theirs.
The opening sequence hits the nail! Right off the bat, you know exactly Spike Lee’s angle on this one. From Ali’s heroic statement to the historic footage that follows, Da 5 Bloods promises to be yet another Lee’s film way ahead of its time. But it isn’t. It most certainly is not. So what happened?
The story is quite an adventure. A sweet and sour and powerful one. The heroes are relatable and so is their background. Delroy Lindo, Clarke Peters, Norm Lewis, Isiah Whitlock Jr., and Jonathan Majors deliver powerful performances. Furthermore, Newton Thomas Sigel’s cinematography is gripping. So, again, what happened? I’ll start with the music. For a film that mocks Rambo, it surely shares a similar score that accompanies it throughout most of its moments, killing the emotion. Then, there are two major problems. The lesser problem is the editing which can make or break every film. And in this case, it is at least mediocre. So, what can be worse than mediocre editing? The script! The one too many weak subplots overshadow the main plot that has one too many gimmicks. The gold’s and body’s discovery, and the team arriving at the right place at the right time are just the tip of the iceberg. Before and after that, it just remains unreasonably and purposelessly convoluted. Shame really. Real shame. Should you decide to watch it, enjoy Lindo not holding back one bit! The best parts of the film.
The day’s unprecedented heat brings out everyone’s worst side in Bed-Stuy, Brooklyn’s diverse neighbourhood.
31 y/o and Do The Right Thing couldn’t be more relevant! The absolute comedy/drama on hysteria and bigotry could as well be a case study on human behaviour. Inspired by a true event (Howard Beach), it manages through ‘love and hate’ and laughs and tears to serve as a reminder that it is up to us to either move forward or stagnate into primitive notions about who we are, where we belong, and what our rights but also obligations in this world are. It is also a wake-up call as the gravitas of our utterances and actions really matter, affect and profoundly shape the society we live in. Finally, it is Spike Lee’s testament to the fact that the problem doesn’t lie in someone else’s skin colour but in front of the mirror.
Danny Aiello, Ossie Davis, Ruby Lee, Richard Edson, Giancarlo Esposito, Spike Lee, Bill Nunn, John Turturro, Joie Lee, Samuel L. Jackson, Rosie Perez, Martin Lawrence (film debut) and so many more deliver one of the most vivid and memorable performances of their lives. The actors’ numerous improvisations throughout the film make it one of a kind and everyone in front and behind the camera deserves a round of applause. An extra standing ovation deserves Kim Basinger for acknowledging the film in the 1990 Oscar ceremony, and Thomas Philip Pollock, the Universal President at the time, who genuinely understood and truly believed in Lee’s vision and distributed it without interfering with the creative process.
13 years before Edward Norton’s [25th Hour (2002)] infamous monologue against every race under the sun, there was Do The Right Thing. See how it all started and wonder what the right thing to do is…
“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.
Below you can find my analysis on a few international films, not particularly well-known ones, that have spawned renowned Hollywood successes (whether critical or commercial). Maybe I can get you to watch either or both of them, and then get you to ask if the Hollywood remake added to the existing film it was indeed necessary.
Sarcastic, serious, light, but also profound, “BlacKkKlansman” hits the nail. Incredible performances, stupendous directing, and meticulous writing mix perfectly for more than two hours in a film stamped with Spike Lee’s persona and talent.
John David Washington, Adam Driver, and Michael Buscemi infiltrate and take down from the inside Topher Grace’s “KKK” in a humorous and not depressing way and add some entertaining fiction to these, based on a true story, events. Laura Harrier, Ryan Eggold, and Jasper Pääkkönen are equally exceptional.
There have been some negative reviews regarding the different approach the film has comparing to the book but people need to realize that the moving pictures are an entirely different medium which addresses a much larger and diverse audience. Consequently, if the film doesn’t focus on the undercover work against the black activists, or presents the “KKK” as caricatures, us, the viewers, we either accept or not the adaptation’s angle on the subject matter.
Before you start casting stones though, just in case you haven’t watched it yet, or simply missed it, “BlacKkKlansman” makes you smile and laugh for the first two hours and brings tears to your eyes only for the last two minutes because it is about love and hope rather than hate and despair.