A chef finds himself getting killed over and over by anyone he knows.
Completed through the 48 Hour Film Project in Shanghai, and winner of GOLD BEST MICROSHORT, SILVER BEST HORROR SHORT, SILVER BEST DARK COMEDY at the OCTOBER 2019 edition of Independent Shorts Awards (ISA), Ostinato marks the narrative debut for Luke Luoh. As I point out in most of my reviews, the intentions of the film are what I am always aiming at and Ostinato, even though it knows exactly where it stands, it doesn’t disclose its intentions from the start. Sets off as a comedy/horror, ostensibly, with the sole purpose of entertaining you but towards the end of Act II, it gets your mind to start thinking in reverse.
From a narrative point of view, Luoh follows the paradigmatic narration – each segment introduces a new story, location, character, etc. So, it can be viewed as short films within the short film, with every story having a beginning, a middle, and an end. The way editing contributes to this narration enhancement is by making the sum bigger than its parts. Something that you will eventually get at the film’s second plot point – the bridge between Act II and III. Be it as it may, this cerebral film wouldn’t be the same if all actors and especially the Makeup and the Special Effects Makeup artists wouldn’t have done the AWESOME job they did. Last but not least, pay attention to Kaunas’ photography and his interesting choice of “red”.
Leaving no one out, all cast and crew deserve a round of applause for the film’s final cut. If you are not adept at music terminology or just happen not to know what the title means, watch the film first and only then ask yourselves, how many times can one die? Well, in this case, as many times as one can…
A woman lies in bed watching the love of her life sleeping and can’t help but wonder if life is how she perceives it to be.
Watching Blue Mountain you stop debating with yourself regarding whether a short film can convey the message as effectively as a feature can and start wondering if what you perceive as real is everyone’s reality or just yours. Translucent Film Studios, Congo Station Productions, and one (wo)man army Jasmine Brotzman produces, writes, acts, edits, designs, and directs life’s convolution, focusing on the antitheses of certainty and doubt, love and the perception of it, and the human mind’s complexity as it endlessly and relentlessly weaves our story’s should haves, could haves, would haves…
A proud addition to the Film Festival Circuit (www.filmfestivalcircuit.com), Blue Mountain deserves all the spotlight it can get, and so does Jasmine.
Love and aspiration battle in a young fashion designer’s head when the time comes to making the decision of her life.
If there is anything worse than something preventing you from achieving your dream, that is someone preventing you from doing so… 90 coins, in 90 days that will glue you to your seats for 9 minutes. Directorial debut for Michael Wong who hits the nail with a short drama portraying the gut-wrenching feeling of slowly losing love to an idle, utopic, pseudo-promising dream.
Brilliantly directed, edited, and acted, “The Story of 90 Coins” serves as a memory which comes and goes in waves blending two peoples’ lives the way they would like to remember them, and the way they actually were. A memory that will lead them to find eternal love or lose themselves forever.
The art of tattoo and the unprecedented darkness of the artist.
Have you ever been to an under-2-minutes short film festival? “The Tattooist” is the poster child of their accomplishment. Terror, paranoia, and unfathomable blackness are synopsised in a minute and twenty seconds of ungodly, deranged insanity.
A short film by producer, writer, and director Michael Wong that needs exploring and expanding and so hope to see it becoming a feature in the very near future.