Years after losing her daughter in a fire, a woman’s mental state takes a turn for the worse when she starts thinking that she is still alive. Have you ever started watching a film not knowing anything about it other than something, down the line, somewhere is going to really go sideways and you just don’t know what that is?
Well, Angel of Mine happens to be one of them. A constant agony of what Lizzie (Noomi Rapace) is gonna totally screw up to the highest degree. The success of the film relies on that and it does indeed achieve it. Part of the reason is because kids are involved and part of it is because adults like her are involved.
As the slow-burn escalates, while nothing really substantial happens, you won’t stop wondering how far is she gonna take it?! And then it’s the ending… but I’m gonna leave that up to you. My only comment is that Fatal Attraction (1987) was that successful because of that kind of escalation; that climax. Anyhow, congratulations to both Noomi Rapace and Yvonne Strahovski for their remarkable performances.
Over the years I have convinced myself that a film should not have a single mood from the beginning till the end. Angel of Mine is unsettling and dead creepy throughout. And even though that’s not a plus, the abyss of the human mind, the vastness of its capabilities, the infinite goodness, but also its unfathomable limits to cause pain in any shape or form can be terrifying.
With no one to turn to and no one to trust, a female bodyguard must protect a rich, young heiress in Casablanca when kidnappers go after her.
A female version of “Man on Fire” (2004) taking out most of the Hollywood aspects in regard to character and story development. With no cheesy lines or slow-mo for dramatic effect, “Close” is loosely based on Jacquie Davis, a world-class bodyguard who, in the last 30 years, has been “stabbed, shot at, and thrown through a window” protecting from the Beckhams to the royal family.
The editing controls the pace, balances action and drama, moves the story forward, and reveals the information when it needs to be revealed. Also, amazing cinematography and Vicky Jewson’s directing gives the opportunity to Noomi Rapace and Sophie Nélisse to unfold their amazing acting skills. Needless to say that given the right training, project, and budget, Rapace can prove herself being top-notch action heroin as (among others) Charlize Theron and Uma Thurman have in “Atomic Blonde” (2017) and “Kill Bill” (2003) respectively.
Netflix productions can go either way. “Close” went the right way and we can only hope that they produce more heartfelt action/thriller films and humanised heroes and heroines like this one.
Seven identical sisters are being hunted down in an overpopulated world where all families are limited to one child.
Noomi Rapace portrays brilliantly all seven identical sisters in this action flick that, overall, looks like “Orphan Black” (2013) meets “Minority Report” (2002) meets “The Matrix” (1999). Tommy Wirkola, an expert in the comedy/horror genre [“Dead Snow” (2009)], takes “What Happened to Monday” more seriously creating an interesting sci-fi which, interestingly enough, IMDb doesn’t classify as “sci-fi”.
Regardless of the semantics, Netflix hit the nail buying the copyrights for this dystopian thriller that despite its minor flaws, impossibilities, and fair amount of negative reviews, it manages to entertain, and raise certain ethical, social, and political questions that, when all motives are revealed, will make you think twice on who to cast your stone at.
Well done to the whole international cast and crew who managed to pull it off and bring out a Philip K. Dick and Isaac Asimov-like world.