Rambo: Last Blood (2019): Action / Adventure / Thriller

 

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When the girl who raised as his own daughter gets kidnapped by Mexican human traffickers, Rambo goes on a rampage to get her back.

Let me tell you a story about John Rambo… Behind the American propaganda, and behind the real-life wars that affected real-life people in the real-life world, Rambo, as a fictional character, is a man not so different from you and me. With desires, wants, needs, feelings, and emotions. That said, he’s a natural-born killer. In Rambo: First Blood (1982), we get to see that he’s a misled soldier who has realised he is carrying this ‘curse’ and upon running out of missions to complete, all he needs is to be left alone as the world makes no sense to him. It never did and probably never will.

Cutting to Last Blood, the ‘curse’ has not been lifted but now he has found a (mission) purpose; the daughter he never got to have. The story is solid, don’t get me wrong. The idea behind Last Blood makes it a Rambo film through and through. Its development becomes the problem though. Director Adrian Grunberg, actor/writer/producer Sylvester Stallone, and the studios should have revised and tightened the script up, deciding on its tone, rhythm, pace, and continuity. Gabrielle’s father switches, in a blink of an eye, in a way I am still scratching my beard. Human trafficker Hugo Martinez knows military combat communication (somehow) but no tactics at all, and the story itself holds back on dramatic intensity, especially surrounding deaths, and goes full throttle on brutal violence like anything you’ve seen in the previous installments. Last but not least, it feels as if the writers for a few minutes forgot who Rambo is and sent him straight to an ambush that a 5 y/o would have seen blindfolded – still scratching the beard. By the way, I totally didn’t see one event coming though (no spoilers). You can read here about the funny or comic versions of other scripts that were handed in at the time before the studios chose this one to be the one: https://www.imdb.com/title/tt1206885/trivia?item=tr4768586

These are the inconsistencies I am talking about. Make sure you watch the extended R-rated version which is a lot more… juicy! Be it as it may, the action is indeed brutal and if you want to blow some steam off just put it on and hit ‘Play’. Do not try to find plot holes, it’s not productive. After all, it’s not every year the year that two major franchises that my generation grew up with come to an end – https://kgpfilmreviews.com/2020/01/16/terminator-dark-fate-2019-action-adventure-sci-fi/.

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Terminator: Dark Fate (2019): Action / Adventure / Sci-Fi

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Sarah Connor and an enhanced human from the future must fight against the most advanced Terminator ever sent back in time, protecting a young woman whose existence is the key to humanity’s fate.

Old wine, new bottle. The franchise’s sixth installment acknowledges only Terminator (1984), and Terminator 2: Judgement Day (1991) and pretends the ones in between never happened (or ‘occurred in alternate timelines’).

The pros: The story contains – or repeats – the necessary elements from T1 and T2 making actually Dark Fate look and sound like a Terminator movie. Linda Hamilton defies age. Mackenzie Davis kicks ass. Gabriel Luna… keeps coming back. And last but not least, even though I was skeptical at first glance, Arnold Schwarzenegger always was and always will be the Terminator.

The cons: Even though the story borrows the best elements from the previous films, the script relies on T1‘s and T2‘s previous glory to stand out only to, eventually, get overshadowed by them. James Cameron and Tim Miller are both visual effects directors, leading to a VFX overuse. Which is exactly what T1 and T2 weren’t. Cameron’s and Miller’s opposite personalities clashed and that showed heavily on the editing suite – where all fights between them took place. Dark Fate, as collateral damage paid the price for it. Lastly, Natalia Reyes, an otherwise very charismatic actress, landed a role that was plainly flat. And it wasn’t her fault. Going from crying and never fired a weapon to the moronic, wannabe heroic level ‘I will stand and I will fight’ makes everyone yawn to tears – something that eight (8) writers and co-writers who read it got the goosebumps.

Filmmakers need to keep in mind that #movements are there, in their majority, for impressions and popularity. Not everyone but most people, from all over the world and every walk of life, join these movements to give meaning to their lives and express themselves, from the comfort of their couch and the safety of their house, in a way that they never could face to face. The systematic effort to please these groups keeps leading to film failures and fans’ profound disappointment. Because hashtags are for free, films aren’t.

Does it worth your time? It does. Remember, film= escapism. For just over two hours relax and forget all your problems. If anything, it will be probably the last Terminator you will ever watch.

 

El Camino: A Breaking Bad Movie (2019): Action / Drama

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After Breaking Bad finale’s massacre, Jesse Pinkman, the sole survivor and now Albuquerque’s most wanted, goes to extra lengths to gather money and flee the country.

It’s only natural to have the highest expectations after having finished Breaking Bad (2008–2013). That’s right, 9 years ago! But El Camino is closure for Pinkman and not for the series. It is important to realise that it doesn’t settle any scores. It is about a man, doing everything in his power to get away and start clean. That’s what El Camino is about. The combination of Netflix announcing it and pitching it the last minute, and people not even wanting to watch the trailer to avoid any kind of spoilers created false expectations, hence the mixed reviews and feelings.

On a final note, Aaron Paul proves to be a brilliant actor once more. And my last sentence is a farewell to the great, astonishing, mesmerising, and colossal human being and actor… Robert Forster! RIP!

The Curse of La Llorona (2019): Horror / Mystery / Thriller

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A mother and her two kids are haunted by a malevolent, supernatural presence that turns their lives into a fight for survival.

So… here is my review on The Nun (2018) https://kgpfilm.reviews/2018/11/27/the-nun-2018-horror-mystery-thriller/. La Llorona is not as bad. The great photography provides the viewer with an eerie atmosphere and the acting is convincing. The same major problem exists though. The messy, inundated with gimmicks and cliches story. I cannot stress enough that the script’s problems cannot be covered by visual or sound effects. In this day and age, jump scares alone don’t make a horror scarier. Only more marketable.

On one hand, I’m glad the film did well as Linda Cardellini needs and deserves that spotlight. She’s a really good actress and we need to see her in major roles more often. It was good to see Raymond Cruz in a film as well. It’s been too long. On the other hand, as long as films like that do well, the producers will keep producing them and the rest of us will run out of horrors to watch (that is, other than real-life horrors).

The Conjuring universe has turned into a bloody “borefest” that one just can’t stop snoozing. I haven’t watched Annabelle Comes Home (2019) yet so, I’ll let you know when I do.

Damn, I hope it’s better…