The Mist (2007): Horror / Sci-Fi / Thriller

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When a mist out of nowhere brings with it monsters beyond anyone’s imagination, a diverse group of people in a supermarket must do whatever they can to protect themselves from the monsters or from each other.

Probably an unpopular opinion, but this is one of my favourite Stephen King adaptations. The film cuts right to it when at the same time develops the characters and brilliantly builds up the suspense. And when the mist covers the city and everyone’s trapped in the unknown… that is the calm before the storm. A calm that cuts your breath short only to take it entirely when the storm unleashes, gradually, what is beyond everyone’s imagination. Admittedly, the visual effects are not what they should have been but, please, see past their mediocrity.

The narrative is astonishing. It feels like the world’s schools of thought are gathered in a supermarket and argue realistically as you and I would have if we were stranded, surrounded by such extra-dimensional calamity. Every character in the store is relatable. Love them, loath them, side with them, or mock them… they constitute society as we know it. They form the mob, they become demagogy. See how the tide changes, how easily everyone shows their true colours when the sh*t hits the fan. Where would you stand – or think you would?

Frank Darabond, after masterfully adapting The Shawshank Redemption (1994) and The Green Mile (1999) adapts yet another Stephen King novel, delving into the human nature while toying with the idea of hellish dimensions and man playing God. Thomas Jane, Marcia Gay Harden, Laurie Holden, Andre Braugher, Toby Jones, William Sadler, Jeffrey DeMunn, Melissa McBride, and Alexa Davalos, most of them frequent Darabond collaborators, side with each other or go against one another and offer you an unforgettable thrill.

As I said, stick to the psychological side of it, turn the blind eye to the digital VFX, and place yourself in that supermarket. As for the end, I have written an article on soundtracks and powerful cinematic moments so, feel free to check it out only after watching the film as it gives away the one of a kind Greek-tragic-irony-like twist: http://theworldofapu.com/powerful-sequences-soundtracks/

Stay safe!

Dragged Across Concrete (2018): Action / Crime / Drama

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Two suspended cops descend into the criminal underworld as they both struggle financially.

Third feature film from writer/director S. Craig Zahler who amazes once more. Cast: Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Thomas Kretschmann, Jennifer Carpenter, Laurie Holden, Don Johnson, Udo Kier.

After Bone Tomahawk (2015) and Brawl in Cell 99 (2017), Dragged Across Concrete is not the shock to the system his previous two films were but lands on screen in a time that “political correctness” has reached its peak. A slow-burn action/crime/drama which infuriates but also entertains with solid acting, writing, cinematography, editing and directing. Realistic and surrealistic dialogues which make one think, in either case, how on Earth did he come up with that (or why on Earth didn’t I think of that first)?!

With reviews as low as 0 and high as 10, you won’t find much in between. Don’t listen to anyone though (yes, not even myself)! Watch it and see where you stand in this world of violence, corruption, rights but no obligations, and opinionated masses that no matter what you say or do will offend… someone.

The world is what we make of it. I vote for communication and respect.

You can find it here: https://amzn.to/2Q2VCSc