Krisha (2015): Drama

Krisha

Having seen her family in years, Krisha returns for Thanksgiving to a seemingly idyllic reunion that couldn’t be more fragile.

Krisha is perception through the legacy of the lens that Hitchcock left behind. Directing, editing, acting, music, and sound mixing split the screen in half and let you into Krisha’s internal world. You will omnisciently follow her into the house, “hack” her cerebral cortex and see and listen through her what lies beneath the surface. Feature debut for actor, writer, editor, and director Trey Edward Shults who successfully pitched his concept to Kickstarter and adapted his own homonymous short Krisha (2014). Ever since the wheels have been set in motion and It Comes at Night (2017) – https://kgpfilmreviews.com/2019/02/02/it-comes-at-night-2017-horror-mystery – and Waves (2019) (review to follow) have become exceptional additions to the American independent cinema.

In the first act, from the opening shot (be it past or future) the tone is set. The protracted shots and the sound mixing add extra depth to the already relatable story and characters. The second act’s gradual escalation will patiently prepare the ground for what’s coming, and that is none other than an Aronofsky-esque confrontation and act three’s denouement. Watch it and make up your own mind as to what eventually happened. You can’t choose your family, they say…

Fun fact: In both the short and feature version of Krisha, Shults gathered his family members (and a couple of actors) and shot the films in his mother’s house. Yes, most of the people you see on screen are actually related.

Stay safe!

Hush (2016): Horror / Thriller

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Real-life couple writer/editor/director Mike Flanagan and writer/actress Kate Siegel, beautifully collaborate for a second time making “Hush”. An indie, low budget, home invasion, one location horror with a simple premise that cuts to the chase: A deaf woman needs to survive a masked intruder’s invasion.

“Hush” stands tall amongst giants of the genre such as “The Strangers”, “The Last House on the Left”, “When A Stranger Calls” and more. Flawed, yet effective, proves undoubtedly that jump scares and unnecessary screaming are not horror’s obligatory elements for success. With Flanagan’s enthralling perspective and Siegel’s and Gallagher Jr.’s extremely engaging performances, a well-paced, thrilling hour and twenty minutes will fly-by.

Wind River (2017): Crime / Drama / Mystery

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Underrated “Sons of Anarchy” actor Taylor Sheridan became the writer-director of “Wind River”, an American modern, indie masterpiece.

From the sheer will for survival to the against-all-odds rediscovery of the heroes’ inner, rigid strength, to the subject matter’s tragic truth, “Wind River” gives prominence to the animals’ humanity and the humans’ animality.

I salute all actors who poured their souls into their roles, and Taylor Sheridan who, receiving a lengthy 8′ standing ovation at the Cannes, he deservedly won the Un Certain Regard – Best Director.