“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.
Below you can find my analysis on the Qatsi trilogy. A cinematic statement about civilisation, technology, nature, and the relationship among the three. A trilogy left behind in the shadow cast by blockbusters, forgotten by time, buried in oblivion.
In April 1986, the Chernobyl nuclear power plant exploded, causing the most calamitous nuclear disaster in history.
How outstanding this five and a half-hour TV film/mini-series is, is outrageously beyond comprehension. Directing, acting, editing, writing, direction of photography, visual effects, music, art direction, stunt coordination, sound design, costume design, makeup department, and every other department get a lengthy standing ovation… HBO once more proves that the sky is anything but the limit. Released halfway through the last season of Game of Thrones (2011) – HBO again, Chernobyl, at first, went under the radar and once the former came to an end, it shone like no other mini-series shone ever before.
Chernobyl will grip you as much as it will terrify you. You won’t even care why the actors speak in their native accent. You won’t even notice. It’s a hauntingly, flawless HBO production that perfectly blends history, politics, science, and drama! Behold the atrocious side of human nature unfolding side by side with its oxymoronic, boundless grace.
If you don’t know the facts, it will lay them out for you. If you no longer remember what happened, it will all come back. If you were in any shape or form affected by the horror, now you will live it once again.
In 1941, as Stalin’s army marches through Lithuania, a 16-year-old girl, her family, and thousands of men, women, and children who have been accused of treason, and are deported to Siberia.
A heartbreaking and soul-crushing story about a nation we know little and the same nation’s suffering that we know even less. A powerful drama based on Ruta Sepetys’ book “Between Shades of Gray” (Don’t you dare mix it up!), directed by Marius A. Markevicius, and with two actors leading strong: Bel Powley and Martin Wallström.
Shot on a moderate budget, it lacks the Hollywood flamboyance but the message is coming across straight through and expands to the rest of the Baltic people and whoever else faced the Russian atrocities. Shamelessness and misanthropy add to the film’s drama, history, and romance and clash the two forces that, in abhorrent times like this, are battling over the human soul: hope and despair.
A massive round of applause to Sorrento Productions, Tauras Films, Twilight Merengue Studios, and Vertical Entertainment which produced and distributed the film for the world to know. And then another one to the Lithuanian government for allowing it and supporting it.
People are often wondering how the descendants of the Nazis feel nowadays about their ancestors. How about the Russians’ ancestors? How about the current followers of the same regime that still exists and still oppresses, has surpassed the deaths caused by the fascist regimes, and competes with the deaths caused by theocratic ones?