A man, after been brutally murdered, comes back to life to avenge his and his fiancée’s death by killing the ones responsible one by one.
Even though deeply stigmatised and remembered as the film that Brandon Lee was killed, The Crow still remains Lee’s legacy and a ’90s goth, revenge, Halloween classic. One of Alex Proyas’ finest films that unfortunately spawned sequels that should have never been made. Ranked 37th in IGN’s Top 100 Comic Book Heroes, the film has significant differences to the graphic novel but, proudly growing up with it, I can reassure you that, despite its flaws, it will be admired by every future generation to come.
The production details vary from ground-breaking VFX to complete the film after Lee’s death, to sets getting destroyed, to numerous people getting injured, and to cast and crew constantly abusing cocaine from the set to the toilets. Regardless, if you grew up with it as well, it will take you for a stroll down memory lane and if you were too young or not born yet, it will travel you to an analog world before the digital era took over.
Both father and son will always live in our hearts.
Demons, witches, pranks going wrong, werewolves, serial killers and a virgin, all happen in a small town’s Halloween night.
Jack O’ Lantern’s favourite comedy/horror. Writer/Director Michael Dougherty offers great home entertainment by blending scared kids, horny teenagers, and mentally deranged adults in a non-linear narrative horror with plenty of laughs, quirky performances, snappy editing, and highly creative costumes. Winner of the 2009 Fright Meter Award for Best Horror, Trick ‘r Treat is surrounded by mystery itself as, without explanation, it was pulled from the schedule, did not get a theatrical release, and went straight to DVD two years later. Producer Brian Singer reunites the amazing Brian Cox and the mesmerising Anna Paquin after X-Men 2 (2003). So, turn the lights off, grab something unhealthy to munch, and forget about all of your problems for the next hour and twenty minutes. Happy Halloween!
An eccentric constable is sent to a village called Sleepy Hollow to investigate three mysterious murders but he gets more than he bargained for when he encounters The Headless Horseman.
Twenty years later and it’s still captivating. Tim Burton adapts for the silver screen the legendary Celtic and German folklore and creates one of the most atmospheric, period gothic fairytales you will have ever watched. Sleepy Hollow is purely a masterpiece. The perfect balance of horror, comedy, and fantasy with an equally “magical” and intense subplot. Like Shakesperean thespians, all actors deliver amazing performances that enhance the film’s genre. Danny Elfman’s eerie score gets your undivided attention from the opening scene and Emmanuel Lubezki’s hauntingly beautiful cinematography may have lost the Oskar to American Beauty (1999) but this merely means anything as you will probably have never encountered anything like it in any other fairytale adaptation [Maybe, Edward Scissorhands (1991) or Bram Stoker’s Dracula (1992)]. The “Best Art Direction-Set Decoration” Oskar was well earned for building the Sleepy Hollow from scratch within three months. As the and crew stated: “The feeling one had walking around Sleepy Hollow’s sets, and in particular the town at Lime Tree, was almost as if you were walking around the inside of Tim Burton’s head.”
Sleepy Hollow is the best side of Hollywood. A side that is often forgotten by the studios but should be a reminder that quantity (the $100M budget) can be indeed spent wisely and increase the film’s quality. A reminder that visual effects are meant to be used as a means to advance the story, and not dominate the film overshadowing its narrative. Words cannot beautify Tim Burton’s classic. A must-watch not only for the Haloween period but also for times of classical storytelling nostalgia.
On Halloween, three friends and a mysterious drifter end up in a haunted house, discovering a dead girl’s notebook that contains deadly stories that come true.
Are you a Halloween fan? Are you a ‘scary stories’ fan? Then look no further! Based on the ’80s homonymous book series written by Alvin Schwartz and illustrated by Stephen, Gammell Scary Stories to Tell in the Dark is a nostalgic, coming of age horror which builds on the historic events of Nixon’s elections and the effects of the Vietnam War through the eyes of teenagers living in a small town. Is it too scary? No. Is it flawless? Definitely not. But don’t rationalise it and don’t be too harsh on it. Like any scary campfire story, the couple of plot holes do not matter a bit as the film, in its own right, is thoroughly enjoyable and a perfect fit should you decide to stay in and turn the lights off.
Great storytelling to keep you entertained, and how could it not be? With André Øvredal [Troll Hunter (2010), the Autopsy of Jane Doe (2016)] behind the camera and Guillermo del Toro behind the script and the production, it could be nothing but a perfect mix of reality and fantasy. Also, first-class acting by all kids, and very well edited. Look forward to watching more Halloween films like this one which creates the right atmosphere to ward off the ghosts and, whatever issues loop in your mind, take the back seat until the end credits start scrolling down. Highly recommended!
“The ABC’s of Death” (2012) for Halloween. Here’s what’s on the menu:
Babysitters with their guts hanging out, kids slaughtering adults, wives baking their husbands alive, human skewers, decapitating pumpkins, Voorhees vs aliens, cannibalism, and more…
Entertainment for the whole family! Ten comedy/horror gruesome stories, ten brilliant excuses for you and your ghoul mates to get rat-arsed, doped, and trick-or-treat the shit out of each other. Have fun!
Bloodbath! Nine films after the original “Halloween” (1978), producers, actors, writers, and director managed to get it right. Ignoring all previous sequels and reboots, it pays homage to all of them. I know, right? Producer Jason Blum, writer Danny McBride and co-writer/director David Gordon Green wrote it, re-wrote it, shot it, re-shot it, re-re-shot it, Timothy Alverson re-re-re-edited it, so your visit to the cinema pays off. 40 years to the day after “Halloween”, you get a sequel with:
Soundtrack that still gives goosebumps.
DOP to remind you or get to know of the ’80s (depending on your age) well-crafted slashers.
And character-wise, the anticipation of highly respected original Laurie and Michael standing, once more, for the last time (?) toe to toe.
Gripping! Well written, well-directed, and well-acted, it is the showdown to clamour for. That said, the child inside me still wants to watch… Myers vs Voorhees! Mr. Blum, I hope you are reading.