A young, talented writer becomes successful immediately after his first publication and inexplicably disappears into thin air.
I don’t know how to begin or even elaborate on my admiration and simultaneously my frustration on “The Vanishing of Sidney Hall”. One feeling at a time I guess…
Shawn Christensen, pens, produces, and directs an ostensibly simple story, which he develops intricately, unfolds beautifully, and delivers didactically. Sabine Hoffman’s editing is stupendous, Daniel Katz’s cinematography is mesmerizing, and Logan Lerman, Margaret Qualley, Elle Fanning, Michelle Monaghan, and Kyle Chandler are shinning in front of the camera.
So, that’s the admiration part. Here comes the frustration… Not even one nomination!!! I guess we have the critics to thank for that who ignorantly saw past it. Whose perceptual inability prevents them from conceptualising Sidney Hall’s depth, magnitude, and complexity. The Vanishing of Sidney Hall is poetry on screen. It is really a shame not to give it the chance it deserves. The chance the critics never gave.
Bloodbath! Nine films after the original “Halloween” (1978), producers, actors, writers, and director managed to get it right. Ignoring all previous sequels and reboots, it pays homage to all of them. I know, right? Producer Jason Blum, writer Danny McBride and co-writer/director David Gordon Green wrote it, re-wrote it, shot it, re-shot it, re-re-shot it, Timothy Alverson re-re-re-edited it, so your visit to the cinema pays off. 40 years to the day after “Halloween”, you get a sequel with:
Soundtrack that still gives goosebumps.
DOP to remind you or get to know of the ’80s (depending on your age) well-crafted slashers.
And character-wise, the anticipation of highly respected original Laurie and Michael standing, once more, for the last time (?) toe to toe.
Gripping! Well written, well-directed, and well-acted, it is the showdown to clamour for. That said, the child inside me still wants to watch… Myers vs Voorhees! Mr. Blum, I hope you are reading.
A lot could be said about this film and the reviews surrounding it but I’m going to keep it short and to the point.
In the graphic novels, Eddie Brock is shady. Really shady. His moral compass takes a one-way ticket. It is all about him and his career as a reporter. Then, Venom comes along, they find each other, and together they develop the ultimate hatred for Spiderman. Over the years, between Venom and Spiderman, numerous timelines have been spawned. To cut the long story short, Eddie Brock/Venom is a supervillain.
Sony’s Venom starts by being murderous and then, due to a not shady Eddie Brock, he stops eating people’s heads and just damages (severely) whoever gets in his way. Here, Eddie Brock is an honest, everyday relatable guy who just tries to keep his head above water and turns Venom into an antihero.
Separate these two in your head and just get entertained. Tom Hardy does a great job, the VFX team nails it, the script has the right amount of character development, laugh, action, and the final outcome stands tall on its own. If I were to pick on something, that would be the fight between Riot and Venom where I was struggling to figure out who is hurting whom and how.