Once she thought that she had fulfilled her purpose and closed the loop, Tree finds herself waking up once more on her birthday… but nothing is the same.
Here’s an analogy for you. The first one was kinda scary and kinda funny. Now, this one is not scary and very funny. So, what do you think? Does that make it a better sequel? There is also an upgrade: The mixture of Groundhog Day (1993) and Back to the Future (1985). The good news is that there is no bad news. What you think you sign up for, it is exactly that. There is some suspense, the science is laughable but no one is trying to convince you otherwise, the editing adds to the film’s quality and creates the desired emotions, and everyone is playing their part as they should be. Speaking of, there is one surprise; a happy one…
Jessica Rothe! The film’s source of hilarity is also the cause of the heart-warming drama that will cut your breath short even for those tiny given moments. Director Christopher Landon does an excellent job directing the mother/daughter sequences so, congratulations are also in order for the actress Missy Yager.
Very enjoyable! It will definitely make you forget our miserable reality even for that hour and a half.
When a young whistleblower becomes a target, the new generation of Charlie’s Angels team steps in to save her and solve a corporate conspiracy.
If I’ve said it once I’ve said it a thousand times… I don’t judge films, I judge their intentions. There might have been bad/horrible films which meant well but due to budgetary reasons or other unforeseen circumstances they faced issues. Not this one though! Charlie’s Angels is, unfortunately, undermining human intelligence. Despite Elizabeth Bank’s efforts to convince us that whoever doesn’t watch her film is sexist, the film itself couldn’t be more sexist. She tried to mitigate the successes of previous female-led films by saying that even them they were meant to be profusely for the male audience. Finally, even after her film flopped at the box office, and the critics ‘buried’ it (so no one finds it ever again), she was still proud of it.
I have nothing much to say about the film: Writer/producer/director/actress Banks and the rest of the producers prove that they have no knowledge of what real fighting or Krav Maga is. The same applies to spy games, corporate espionage, and the appreciation of the human (male) life – see how both men’s death is treated (excluding the T-1000 lookalike assassin). The action couldn’t be more laughable and the messages it is trying to come across are horrendous. To cut the long story short, this Charlie’s Angels rightfully earned its flop just like Ocean’s 8 (2018) did the year before. What were they thinking? That by portraying white men as villainous and stupid the film will instantly perform well? It is an embarrassment. And that’s me done about the waste of my almost two hours.
There is something else that the creators of this film have no grasp of: How it is to be stuck into a 9-5 job that you hate or do 24-hour shifts round the clock. One of the things they would have learned – which would be beneficial to the film as well – is that wherever there is no diversity, there is a problem. Have you ever been to a working environment with just women? The amount of bitching is unfathomable! Have you ever been to a working environment with only men? Plainly boring and dull! This world needs diversity and we all need each other equally to move forward. Furthermore, we all need to stop being proud of what we haven’t earned.
Elizabeth Banks is extremely talented both in front of and behind the camera and I will keep being a fan regardless. Watch her Pitch Perfect 2 (2015) and watch her in People Like Us (2012) to get an idea. It is a shame that she tried to please the masses and pretentious social media groups. Because even they didn’t care about her effort.
P.S. To the mindless side of Hollywood: Stop treating us like we are dumb. We know life better than you do!
The day’s unprecedented heat brings out everyone’s worst side in Bed-Stuy, Brooklyn’s diverse neighbourhood.
31 y/o and Do The Right Thing couldn’t be more relevant! The absolute comedy/drama on hysteria and bigotry could as well be a case study on human behaviour. Inspired by a true event (Howard Beach), it manages through ‘love and hate’ and laughs and tears to serve as a reminder that it is up to us to either move forward or stagnate into primitive notions about who we are, where we belong, and what our rights but also obligations in this world are. It is also a wake-up call as the gravitas of our utterances and actions really matter, affect and profoundly shape the society we live in. Finally, it is Spike Lee’s testament to the fact that the problem doesn’t lie in someone else’s skin colour but in front of the mirror.
Danny Aiello, Ossie Davis, Ruby Lee, Richard Edson, Giancarlo Esposito, Spike Lee, Bill Nunn, John Turturro, Joie Lee, Samuel L. Jackson, Rosie Perez, Martin Lawrence (film debut) and so many more deliver one of the most vivid and memorable performances of their lives. The actors’ numerous improvisations throughout the film make it one of a kind and everyone in front and behind the camera deserves a round of applause. An extra standing ovation deserves Kim Basinger for acknowledging the film in the 1990 Oscar ceremony, and Thomas Philip Pollock, the Universal President at the time, who genuinely understood and truly believed in Lee’s vision and distributed it without interfering with the creative process.
13 years before Edward Norton’s [25th Hour (2002)] infamous monologue against every race under the sun, there was Do The Right Thing. See how it all started and wonder what the right thing to do is…
A patriarch’s ostensible suicide will pique the interest of an eccentric detective who will make everyone in the family reveal their darkest secrets.
Two major pleasures we’ve had in Thanksgiving 2019: An evening full of American football and Knives Out. Focusing on the latter, writer/director Rian Johnson offered a refreshing take on the ‘whodunit’ crime/mystery genre. He topped it up with comedic characters and hilarious shenanigans and the result was highly entertaining. Brilliantly written, directed, edited, and acted. I can’t say with certainty which actor stands out because… everyone does! And that’s what happens when almost everyone has worked with someone else in a different film and there is no bad blood at all. Well-paced, with everything falling into place as it should have. Despite the far fetched (to my liking) revelation, it definitely is one of the best films of 2019. I take my hat off to all cast and crew in front and behind the cameras. I’m not saying anything else!
Gather your family, your friends, your pets, your other half, all of them or none of the above, get something to eat and drink, and place your bets. See who’s gonna get it. Regardless of what I or anyone else thinks, it definitely worths your time and might rejuvenate your passion for the genre and might, just might, take you back to similar masterpieces of the past such as: Gosford Park (2001), The Usual Suspects (1995), Murder by Death (1976), Sleuth (1972), And Then There Were None (1945), The Hound of the Baskervilles (1939) up to The Last Warning (1928).
A young boy who struggles in Hitler’s Youth finds out that his well-respected by the Nazi party mother is hiding a Jewish girl in their house.
Unwillingly, I was informed that an archipelago of 10/10’s swarm across IMDb about JoJo Rabbit. So, I thought to myself, ‘interesting…’ Having been familiar with the plot, I thought that it would be The Pianist (2002) meets Top Secret! (1984) – weird, I know! Well, it wasn’t. So, I am partially to blame for this as I prepared myself for something that was simply not. The first hour or so made me smile on a couple of occasions but I struggled to find it funny. Then, due to the particular type of satire, I struggled to find it dramatic. 30 wins and 142 nominations, including Oscar win for Best Adapted Screenplay, and I couldn’t make my mind until about an hour into the film whether I like it or not.
But then the last half an hour the film found a balance that, me personally, I think it lacked before. And Roman Griffin Davis, Thomasin McKenzie, and Sam Rockwell made this last half an hour a proper gem. This last half an hour got my undivided attention. If you’ve watched it or if you intend to watch it, let me know what you think. Rebel Wilson, Alfie Allen, and Stephen Merchand are brilliant additions to the cast. Scarlet Johansson’s two Oscar nominations this year must have a put a yet greater smile on her (lovely) face. In the Marriage Story (2019) she definitely deserved that nomination. Here, once again, I struggle to see why. Shame that Sam Rockwell wasn’t heard much, he makes all the difference in the world.
Regardless of what I think of the film, Taika Waititi is a true artist so, I really hope you enjoy it.
Ten years have passed since the zombocalypse and Columbus, Tallahassee, Wichita, and Little Rock must now face dumb, smart, stealthy, and rough zombies, deal with domestic issues and ally with lookalikes, hippies, and a bimbo.
Double Tap, is the sequel I was reasonably afraid it will have nothing more to offer when it comes out. Having seen numerous sequels over the years flopping due to franchise fatigue or been outshadowed by their predecessors, can you blame me? Well, ten years later, Double Tap did come out, proved me wrong, and it was more than I was hoping for. Director Ruben Fleischer, intentionally influenced/inspired by George A. Romero and Edgar Wright, manages to find new creative ways to either put a smile on our face or make us laugh out loud. The script is solidly inundated with comedic additions and alliances, and horrifically funny villains, offering the well-known by now group of four an arsenal of punchlines, perfectly fit for every occasion. Out of the A-list star cast, which does a brilliant job in front of the lens, Woody Harrelson and Zoey Deutch unequivocally stand out for being surrealistically funny.
I’ll seize this opportunity to say this as I’ve been holding it for some time now… Abigail Breslin seems like she doesn’t want to act anymore. Is it the burden carrying from her mesmerising performances in Little Miss Sunshine (2006) and My Sister’s Keeper (2009)? Is it the ‘curse’ of the child actor/actress? Is it personal or professional obstacles that we are not aware of? I still believe that given the right role she can ‘shine’ again and I really look forward to that day.
Definitely worth the just over hour and a half in front of the telly as it will make you forget your problems and send you to bed. And next day is always a new day… with a new film!
A married couple with a little kid decides to break up and both parties reveal their best and worst hidden sides of themselves.
Even though ‘it takes a village to make a film’ and every department plays a significant role in a film’s success or failure, five major ones (not in a particular order) need to become a solid one to guarantee Marriage Story‘s success: Directing, cinematography, editing, writing, and acting. Writer/Director Noah Baumbach, cast actors Adam Driver and Scarlett Johansson during the script development and all three of them put the ‘FADE OUT’ in the end. As all three of them had been or were going through divorces, the film is largely based on their real-life experiences, and it is that kind of realism that is translated to the big screen and the film’s final cut. Everyone poured their souls in it and, as per IMDb, this is what happened: Top Rated Movies #171, nominated for 6 Golden Globes, and another 81 wins & 177 nominations.
The way editing controls the film’s pace and rhythm is remarkable. Without saying it’s right or wrong, the cuts during the dialogue – cutting from the person talking/crying/exploding to the other person’s reaction – make an interesting case as, me personally, I would expect maybe less reaction. I bet the drafts were endless though and, since the final cut works, I just take it as it comes. The mise-en-scène is flawless and Baumbach with director of photography Robbie Ryan have captured and framed only the essential to the story elements. Last and most certainly not least, Johansson and Driver purely unleash their thespian talents and, arguably, deliver the most hair-raising performances of their lives. Forgetting the high budget tentpoles they are currently in – Avengers and Star Wars respectively – they become part of a love story wrapped in self-absorption and insecurities. Interesting background production details can be found here: https://www.imdb.com/title/tt7653254/trivia?ref_=tt_trv_trv
The labyrinthine nature of a human being knows no limits. When two human beings come together, the stakes and unpredictability are doubled and when a family is created a small society is born under the same roof. Hundreds of millions of these societies form bigger societies that constitute the world as we know it. And its intricacies and complexities can only be matched with the Universe’s mysteries.
Men in Black, the secret government organisation with the cream of the crop agents and the advanced technology from all over the known Universe is now having a mole who threatens to destroy the Earth.
The reasons are obvious as to why it didn’t perform well. Barry Sonnenfeld, director of Men in Black I (1997), Men in Black II (2002), and Men in Black III (2012) gave MIB an appealing character to men, women, and children of all ages. F. Gary Gray and the studios decided it’s a wise choice to ‘devote’ Men in Black: International to millennials and, as a result, it was turned into something unfulfilling for everyone else – even them evidently. To be more specific:
Online childish slang (?) such as ‘you had one job’ and ‘that happened…’ were only put there just to have these lines heard by their favourite actors/actresses.
Both men and women, we acknowledge that Chris Hemsworth is attractive. Fair enough, but to make him look like he just finished a fragrance photoshoot or an underwear ad throughout the whole film kills the vibe, throws the fans of MIB off, and ultimately depreciates the franchise’s value.
I know it’s an action/comedy/adventure but the main hero comes to realise something he never expected about himself (no spoilers). Do we feel like he is really affected by it? No. That kills the drama. And as a whole, I didn’t really feel anything about anyone as it was all…
Fun! Comedy works in mysterious ways and what makes people tick varies. BUT… having a punchline for everything that happens for almost two hours creates one emotion for every situation.
Men in Black: International became a lose-lose situation for studios and audiences alike. Will Smith and Tommy Lee Jones (even Josh Brolin) became MIB by earning their stripes. F. Gary Gray is an amazing director. Friday (1995) and Straight Outta Compton (2015) are brilliant examples of his work but Matt Holloway’s and Art Marcum’s script didn’t do any favours to anyone. If you also want to admire Chris Hemsworth as a presence but also a thespian, watch Rush (2013), In the Heart of Sea (2015), Bad Time at the El Royale (2018), and of course, the Thor/Avengers franchise.
I’m not even gonna go into production details and I feel sorry for not having something good to say (except that Tessa Thompson is always mesmerising).
Leading a repetitive life, Larry Burrows, on his 35th birthday, wishes his life was different, more exciting… and this is exactly what he gets!
How many times have I watched this film is beyond me… And I think I’m gonna grow old and grey and I’m still gonna be watching it. Yes, it’s very similar to the classic masterpiece It’s a Wonderful Life (1946), but since I was a kid when it first came out, I grew up with it, and I couldn’t help but stop thinking about… what if my life was different? As I kept growing up, till this very day, till this very moment, writing this review right now after just having watched it (again), I am wondering why does this film age so well? What is it that makes it so diachronic that I can’t stop having enough of it.
I guess I wouldn’t watch it any other period other than Christmas/New Year time. It is the time when, if not all of us, most of us contemplate a bit more about our new year resolutions. It is that time where we look back and ask ourselves, what could I have done differently? What do I lack? What do I have in abundance? Why would I want my life to be different anyway? It might be all these would haves, should haves, could haves that loop in our minds with warp f@£$%^& speed causing this effect. I think I’m digressing…
Anyway, Larry Burrows is John Belushi. And not like a film poster kind of way. I mean that I can’t imagine anyone else portraying him and I kinda don’t want either. Michael Caine is visual poetry. Linda Hamilton is to fall in love with and proves, once more, to be so diverse actress that I take my hat off to her and bow. Rene Russo always had been and always be lighting up the screen when appearing on it. As for Courteney Cox, she is… a killer! Last but lost least, it is an absolute shame that we don’t see the amazing Jon Lovitz in many films anymore – series mostly.
Mr. Destiny had a big impact on my life, and it has inspired my screenwriting in ways that I can’t begin to describe. I hope you enjoy it as much as I have over the decades.
An ambitious young man is put by the board of directors as president in a… convoluted company involved in a stock scam.
‘It takes a village to make a film’… and The Hudsucker Proxy is the living proof – and the best side of Hollywood. Joel and Ethan Coen write (alongside Sam Raimi), direct, and produce one of their best and underrated films to date, focusing on a man’s ambition, the crowd’s paranoia, the Media’s superfluous vanity, and the corporate greed! In addition, Carter Burwell’s music, Dennis Gassner’s production design, and Roger Deakins’ cinematography pay a true homage to the films of the ’30s and ’40s. Thom Noble’s meticulous and precise editing paces the film from beginning to end. Great montage sequences delivering passion, laughter, drama, and rhythmic film magic.
A naive Tim Robbins, an extremely articulate Jennifer Jason Leigh, a sexist Bruce Campbell, and the legend Paul Newman develop amazing on-screen chemistry and one cannot help but fall for them. The film’s brilliance is such where the devil’s in the details. For example, Robert Gallagher’s character ‘Vic Tenetta’ shows up for just a few seconds and the screen lightens up.
And now for the shocking facts: Not even one Oskar, Golden Globe or Bafta Nomination. 3 wins and 3 nominations all and all. And that’s not just it! It cost approximately $40M and made $2,816,518. I think, sometimes, it’s surprising what makes people tick and what doesn’t. But I know that, always, when it comes to the film industry, all bets are off!