Terminator: Dark Fate (2019): Action / Adventure / Sci-Fi

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Sarah Connor and an enhanced human from the future must fight against the most advanced Terminator ever sent back in time, protecting a young woman whose existence is the key to humanity’s fate.

Old wine, new bottle. The franchise’s sixth installment acknowledges only Terminator (1984), and Terminator 2: Judgement Day (1991) and pretends the ones in between never happened (or ‘occurred in alternate timelines’).

The pros: The story contains – or repeats – the necessary elements from T1 and T2 making actually Dark Fate look and sound like a Terminator movie. Linda Hamilton defies age. Mackenzie Davis kicks ass. Gabriel Luna… keeps coming back. And last but not least, even though I was skeptical at first glance, Arnold Schwarzenegger always was and always will be the Terminator.

The cons: Even though the story borrows the best elements from the previous films, the script relies on T1‘s and T2‘s previous glory to stand out only to, eventually, get overshadowed by them. James Cameron and Tim Miller are both visual effects directors, leading to a VFX overuse. Which is exactly what T1 and T2 weren’t. Cameron’s and Miller’s opposite personalities clashed and that showed heavily on the editing suite – where all fights between them took place. Dark Fate, as collateral damage paid the price for it. Lastly, Natalia Reyes, an otherwise very charismatic actress, landed a role that was plainly flat. And it wasn’t her fault. Going from crying and never fired a weapon to the moronic, wannabe heroic level ‘I will stand and I will fight’ makes everyone yawn to tears – something that eight (8) writers and co-writers who read it got the goosebumps.

Filmmakers need to keep in mind that #movements are there, in their majority, for impressions and popularity. Not everyone but most people, from all over the world and every walk of life, join these movements to give meaning to their lives and express themselves, from the comfort of their couch and the safety of their house, in a way that they never could face to face. The systematic effort to please these groups keeps leading to film failures and fans’ profound disappointment. Because hashtags are for free, films aren’t.

Does it worth your time? It does. Remember, film= escapism. For just over two hours relax and forget all your problems. If anything, it will be probably the last Terminator you will ever watch.

 

End of Days (1999): Action / Fantasy / Horror

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It is the end of the millennium, Satan has taken a human form while looking for the woman who will bear his child, and it is up to a suicidal ex-cop to prevent the end of days.

Arguably, one of the best, darkest… and underrated films Schwarzenegger has ever been in. Brilliant fast-paced and edited realistic action with a just over fifties, sentimental Arnie been purely tough as nails. Great shooting scenes, great fight scenes, and great chase scenes that make two hours fly by. But the awesomeness doesn’t stop here. The slow-paced sequences testing the heroes’ and antiheroes’ ‘faith’, and the drama of a young girl standing in the midst of chaos, who never chose to be special, make the End of Days an unforgettable choice to put a close to this year and decade. The film’s highlight: Arnold fighting the Satanists and the Devil in the alley.

Arnold, having undergone a heart surgery two years prior to the film, comes back performing extreme action sequences and nailing the self-destructive, rock bottom, action antihero, taking as much as he can give back. Gabriel Byrne is evil as hell – pun intended – and brutally tortures everyone crossing his path with utter style. As for Robin Tunney, she’s magnificent and I can still see why I fell for her in my early twenties. My last ‘congratulations’ goes to the director and director of photography Peter Hyams who pulled this off and brought Andrew W. Marlowe’s solid, very dark yet optimistic script to life.

Again, arguably, Schwarzenegger’s last prominent film.

Enjoy, and have a healthy, happy, productive and creative new year. Be well!!