Run Hide Fight (2020): Action / Thriller

When a group of students invades their school with weapons and take hostages, a girl needs to use her skills to save those in need.

Read that logline and let it sink in before you read further…

The film is well shot and edited and the actors do a decent job. The setup prepares you for what is about to happen, it shocks you when it does, but then it gives you all the emotional space you need to relax and “enjoy” something that is not meant to be enjoyable. Immediately, it seems like a corporate-industry-hostage situation involving pompous adult assholes that doesn’t matter if few them die in the process like unimportant stunts.

Then, from the first plot point, quite a few issues are raised:

  • The van driving through the cafeteria’s front window that no one heard smashing.
  • The gunshots at the cafeteria that no one heard firing.
  • The relaxing verbosity after the van and the first shootings that lightens up the mood.
  • The parallel stories that take the focus off and go easy on the monstrosity that plagues the United States.

And these are jut the major ones. The Die Hard missionaries and the 17 y/o female John McClane give this ongoing toxicity a sweet Hollywood flavour when no word can describe the horror of kids turned kamikazes at the place that is meant to be the starting point to change the world. I know that it is trendy nowadays to portray women doing extraordinary things, but there is nothing trendy or extraordinary about exploiting scenarios that have deeply scarred people’s lives. That applies to boys, girls, men, women, and non-binary people. Keep the trends for the social media. People’s wounds are still wide open.

Elephant (2003), The Life Before Her Eyes (2007), My Friend Dahmer (2017), and We Need to Talk About Kevin (2011) are but a few films that have managed to, somewhat, realistically capture that horror. But even, they are well made films. You wanna let horror crawl under your skin? Start with Bowling for Columbine (2002) and then go through the real-life mass shootings before and after. There has never been and never will be heroism in this ongoing heart-wrenching and soul-sucking tragedy.

Just death.

Followed by unspeakable, never-ending, inconsolable mourning.

Stay safe!

P.S. You wanna know who funded this film? This is the first film for the The Daily Wire, an American conservative news website turned TV/Film production company which, according to NewsWhip, is “by far” the top right-wing publisher on Facebook: “The Daily Wire is by far the top publisher among its peers in terms of engagements to its content, with more than 130 million Facebook engagements to its web content for the year”. Just saying…

Outside the Wire (2021): Action / Adventure / Fantasy

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A disgraced rookie drone pilot and a prototype android officer are sent to enemy territory to stop a nuclear attack.

Very bad from the very beginning! Having served in the special forces, let me put it this way: There is NO WAY you can get away with what Harp did! You are done! Finished! In and outside the army! From thousand of miles away, eating gummy bears, chilled, while marines in the battlefield drop like flies, and then you kill your own! NO. WAY.

I would say that from then on the film goes downhill but this would require for it to have started from a certain height. It starts from the bottom and stays there. It miserably fails to evoke any emotion at any level in all three acts. No suspense, no drama, no humour, no relatable action, no relatable characters, and then, no science, no reason, confused moral compass, and confused geographic compass. All the confusions and the no’s are nothing but the result of a bad production that is the result of a terrible script. It is like John Wick (2014) meets Terminator 2 (1991) meets Lord of War (2005) that finally meets none of the above and fosters a two-hour, old-fashioned, American, propagandistic, nonsensical, pedantic mashup of nothingness.

I do value Netflix, director Mikael Håfström, and Anthony Mackie and I hardly speak like that about the films I review. This one though undermines human intelligence and has immoral and dishonest intentions so, I’ll pretend I never watched it and move on. I suggest you do the same, and if you haven’t watched it, don’t!

Stay safe!

Shadow in the Cloud (2020): Action / Horror / War

A young, female WWII pilot boards on a fighter aircraft, but everything escalates when a creature infiltrates it.

The animation, in the beginning, is well-made but it shouldn’t be there. It has no place within the film and it gives away what is going to come next. I can’t guess its purpose for the life of me. There is a difference between foreshadowing an event and ruining the suspense. It’s like a self-mockery.

Straight after, like it started from the second act, the film’s visuals promise a horror that will raise more questions than answers but definitely, still, deserves the benefit of the doubt. There are two things that stand out positively immediately: Kit Fraser’s claustrophobic cinematography and Chloë Grace Moretz. Rumour has it that writer/director Roseanne Liang heavily rewrote Max Landis’ script (and removed him from the production) due to the latter having been accused of sexual misconducts. Regardless of the allegations, the heavy rewrites, kept the humongous plot holes, did nothing to favour the script, and heavily damaged the film with implausibility and charade. The best part of the film is from the moment the animation ends to the moment the gremlin gets inside the plane. From then on, everything goes to sh*t. Furthermore, Mahuia Bridgman-Cooper’s electronic, new-age, ambient, space, cyberpunk music is beautifully composed but, in my humble opinion, is way out of context in a WWII movie. But then, everything else is anyway so, I don’t even know why I bother.

Films such as Hidden Figures (2016) empower women and honestly portray human kind’s fortitude. The rest is just Hollywood’s moronic way to try and milk the cow and, thankfully, gets nada in the end. Moretz is an amazing actress, Liang seems to have a spark for innovation, and I for one, bet that I will see them both in something extraordinary soon again.

Stay safe!

Redemption Day (2021): Action / Thriller

After his wife is kidnapped by terrorists, a war hero races against time to get her back.

I’ve written before about opening sequences and protracted shots and I’ve said that they raise the bar high for what comes next. In Redemption Day what comes next is, unfortunately, too American and too cliché for my standards so, it becomes the exception to the rule. Regarding the narrative, everything you are expecting to happen, does happen, the time you expect it to happen. There are no twists or no difficulties in completing the mission, really. The characters are forgettable, with the “good” ones being highly skilled, and the “bad” ones highly incompetent and stupid which makes an extreme disanalogy. The dialogue is worse than the “bad” ones mentioned above so, no further comment. Then, directing, acting, choreography, and editing, are mediocre, at best.

My distaste for the film has nothing to do with anything I’ve mentioned so far though. People do what they can, with what they have. My distaste is because of its propagandistic intentions. The film’s oversimplification of who is “good” and who is “bad” is borderline insulting. The world doesn’t work this way and Islam, or any other religion for that matter, has nothing to do with the monstrosities the human species is capable of. That is something that the film is trying hard to show but fails to do so.

I would prefer if co-writer/director Hicham Hajji made a film on the two innocent, young, female, Scandinavian hikers who were found beheaded in Morocco two years ago. That would be a challenge, wouldn’t it? No superfluous heroism, no formulaic scripts, no childish gunfights, no need for constant background music to dictate to the audience how to feel, and no goddamn propaganda that nobody needs. Filmmaking should be, among others, challenging, intriguing, and innovating. As fun and entertaining the days of Commando (1985) may have been, they are long gone and all of us have moved on. I hope some studios do the same.

Stay safe!

P.S. Andy Garcia has no place in this film.

Honest Thief (2020): Action / Crime / Drama

Having met love, a bank robber decides to quit, turn himself in, and cut a deal but nothing goes according to plan.

My issues with the film started with the first act as everything happens too fast, too conveniently. The character development is not even minimal. It jumps straight into it not having shown us how good he is in what he does or anything really about him. Then, he just happens to move into a new town and, right off the bat, he finds a single, attractive woman around his age who, cut to a year later, she decides to move in with him. And then he wants to surrender. I found it like no rapport is build whatsoever. It feels as if no investment in character or story development has been made.

Past the interesting first plot point though and moving into the second act, I must say that things get a lot more… engaging. The action is solid, the explanations given are adequate even convincing, the acting is just about right, and the chemistry between Liam Neeson and Kate Walsh appealing. The story is still not very factual but well shot and well edited, and entertaining nonetheless. With them, Jai Courtney, Jeffrey Donovan, Anthony Ramos, and Robert Patrick complete the film’s interesting cast. Of course, the one that steals the show is none other than… Tazzie!

Finally, most of what you think would happen, does actually happen, leaving nothing much to talk about past the end credits. Regardless, give it a go. For the type of action it is, and in times like these, Honest Thief will keep you entertained and make you forget for a couple of hours how many new cases were announced today.

Stay safe!

Fatman (2020): Action / Comedy / Fantasy

When a rich boy is let down by Santa, he hires an eccentric hitman to kill him.

Well, isn’t that a Christmas film… A pistolero Santa who has a dodgy contract with the government of the United States of America ends up in a gunfight with an assassin.

How can I put it… it’s like a Christmas western shot in the North and Santa is the wanted man on the bullet hole poster. While the hitman tries to track down Santa, here’s what you get: the military outsourcing elves to produce more weaponry and the logistics behind Santa’s operation on Christmas Eve. You know what you get when the hitman actually tracks down the Republican, training-like-Rocky-Balmoa Santa? That’s something you need no commentary on. Writers/directors Eshom and Ian Nelms know exactly the kind of film they want to make and the final cut’s tone and pace give justice to their cause. Mel Gibson, Walton Goggins, and Marianne Jean-Baptiste understand their vision and offer nothing but pure entertainment.

Feeling stuck in your own house on Christmas day? Fatman is your unconventional Christmas movie that will keep you company for an hour and a half. Can you take it seriously? No. Is it meant to be taken seriously? No. So, sit back, relax, and digest the turkey.

Stay safe!

#Alive (2020): Action / Drama / Horror

A sudden zombie outbreak will find two youngsters trapped in their flats opposite each other, making an escape plan.

I’m a sucker for build-up. You know, character and story development. Think of Train to Busan (2016) in this instance; patiently and suspensefully builds the narrative up before everything goes sideways. So, for horror fans who have watched countless zombie films, the opening sequence does not feel original or anything at all. I believe, the most impressive scene throughout the first thirty minutes is the police officer scene.

Things start getting interesting after the hero’s breakdown and big exodus. The action and thrill for the battle of survival pick up the pace and gradually get your attention. The pace is about to die out soon after though but is saved by the presence of Park Shin-hye’s character (Kim Yoo-bin). If you haven’t seen her in anything else, you should definitely try the same year’s and also Netflix’s production, The Call (2020) https://atomic-temporary-153424946.wpcomstaging.com/2020/12/06/the-call-2020-horror-mystery-thriller/

But then, pace, rhythm, suspense, and action all die out together faster than the film’s outbreak. It manages to pick up again, but the effort was nothing new. Shame really, I wish the filmmakers had decided what kind of film they wanted to make. It seems like the genres are cancelling one another. If it’s any consolation, the film was a shockingly huge commercial success!

RIP Kim Ki-duk  (20.12.1960 – 11.12.2020)

Stay safe… and alive!

P.S. Challenge: Try to count how many times the word ‘alive’ is said.

Superhero Movie (2008): Action / Comedy / Sci-Fi

A low self-esteemed and constantly bullied teenager gets bitten by a radioactive dragonfly and develops superpowers.

There are two reasons why I watched it… again. Leslie Nielsen, and the Aunt Lucille farting sequence! Other than that, what can I say? It is an hour and fifteen minutes of that kind of humour that was washed up even twelves years ago. I think it is the first time that I tried to analyse what makes it funny – if written and executed properly. That kind of humour has several components. It requires:

  • Some pre-existing knowledge on the films been parodied,
  • Exaggerated and utterly disjointed scenes,
  • The heroes’ reactions to the superfluous, anecdotal stimuli causing the disjointed scenes, but their immediate forgetfulness straight after until something else happens.

I was not planning to make a review, and if I’m being honest, I haven’t really. I just wanted to put in my two cents about the particular comedy sub-genre. I wish there was something else to say, really. Even though it’s silly, to say the least, a couple of sequences will make you laugh – such as the Aunt Lucille farting sequence! And, hey, we do need some laugh. Especially, these days.

Stay safe!

Greenland (2020): Action / Drama / Thriller

A comet’s passing ends up being an extinction-level catastrophe and a battle for survival for an estranged family.

Fast-edited action films are a Hollywood trademark. There is a misconception though that the faster a film is edited the better results are going to yield. I’ll prove my point in a second. The beginning of the first act is quite formulaic with the camera set on the tripod, playing out exactly as it supposed to. But once I was about to sigh in despair, to my surprise, just before everything goes tits up, Ric Roman Waugh, dismounts the camera and goes on a road trip where the narrative’s delay of resolution stretches the suspense to very high levels. I don’t know if that was a conscious decision or not but I must say that Greenland becomes a quite realistic, intense thriller where most humans become scarier than the comet’s nucleus. But very touching is the vast minority who, till the very end, they dedicate and sacrifice their lives to do as much good as they can in times humanity needs it the most (Comparisons with our current pandemic are most welcome).

Gerald Butler and Moreena Baccarin go through absolute hell and with them the young Roger Dale Floyd. All three of them are absolutely thrilling! This isn’t like the Geostorm (2017) bullshit that even Butler didn’t wanna be in. Everyone believes in this one and works as hard as they can to make it work. And it does work, indeed. My breath was taken with Baccarin’s performance when her kid was abducted (no more spoilers). I can’t imagine a mother acting any other way.

The point I wanted to prove is that War of the Worlds (2005), by far my favourite apocalyptic thriller, is, arguably, the slowest edited film of its kind. Same applies for Jurassic Park (1993). So, don’t get fooled by multi-chopped action sequences; it’s an illusion. Greenland invests in both character and story development and is definitely worth a watch. The two things that seem problematic to me and could have changed are the title, which gives away a ton of information, and the ending, which like Signs (2002), it should have ended when cutting to the prolonged darkness. See and decide for yourselves.

Stay safe!

Tenet (2020): Action / Sci-Fi

A man is tasked to save the world with a mission that defies the laws of physics as we know them, given only the word, Tenet.

Like any other Nolan film, Tenet requires an analysis rather than a review. But I’ll simplify things as best I can. A type of film like this requires a humongous amount of time in preproduction. And they have spent that time wisely. That is why from both production and postproduction point of view, the film is immaculate and unlike anything you have ever seen. No matter what I say, it won’t make it better.

The problem lies right off the bat with the script though. The similar opening to The Dark Knight (2008) poses a significant issue. There is a preexisting knowledge on the Joker where you know who he is and what he is capable of. And if you don’t know the full extent, you find out in a brilliant manner in minutes. Then, the film cuts to people you have already met from Batman Begins (2005), and gradually, it escalates keeping everyone in the loop. In Tenet, no one is aware of anyone or anything, and without any ado, Nolan keeps bombarding you with more and more information where everyone seems to start getting it, but the viewer. Fear not, though. The science is fictional – pun intended – so please, don’t feel bad if you don’t get it. You won’t get it if you watch it a second time either. Nolan himself doesn’t really get it (hence, leaving our certain details) but the impressive filmmaking and the delusion that you might get it if you pay close attention compensates. The similarities in narrative can be compared to Interstellar (2014).

For a film that examines paradox, it is interesting how for something that no one knows anything about, no one thinks twice before they instantly and unhesitatingly say what they have to say. Same applies for planning and acting. At the end of one sequence they find out about something, at the beginning of the next one they have already the equipment, they have already traveled round the globe, and have already come up with a meticulous plan.

George Méliès was running the camera backwards over a hundred years ago so, even though from a filmmaking point of view, Tenet is not parthenogenesis, it surely is a unique concept, exteremely well planned, and amazingly executed. If it wasn’t for this goddamn pandemic, it would have easily joined the billion dollar club.

Stay safe!

P.S. The indie, and unfathomably much lower-budget version of Tenet is Primer (2004): https://atomic-temporary-153424946.wpcomstaging.com/2020/11/26/primer-2004-drama-sci-fi-thriller/

Logan (2017): Action / Drama / Sci-Fi

In 2029, where the X-Men are gone and mutants are on the verge of extinction, an elderly and slowly dying Logan must lead Charles Xavier and a young mutant to safety when an evil corporation goes after them.

I don’t write about superhero films, really. As much as I’ve watched them all and as much as I’m a graphic novel collector, I prefer to keep a distance. But I intend to write about my top 5 (to date) as I truly think they are powerful films and, in my humble opinion, the best of their kind. And, after watching it for the third time, Logan most certainly still remains in that top 5.

First and foremost, because of Hugh Jackman and Sir Patrick Stewart. Secondly, due to (co)writer/director James Mangold. The trio makes a combo that brings to life an unprecedented, R-rated, existential drama/fiction, no one expected to see. Mangold’s genius lies in synthesizing the narrative; the character and the story development. Such synthesis requires a thorough understanding of who the Wolverine was and what he had accomplished, while never managing to make peace with his nature and never overcoming his loathing for his nurture. And that, respectively, requires a thorough understanding of the difference between thinking of knowing what an antihero is and the unfathomably harsh reality of having to live with yourself and everything you have done, for almost two centuries, to become that wrong perception.

Officially, the film is a standalone and it follows neither the original X-Men’s timeline and its prequels nor the franchise’s prequels. However, Charles Xavier is mentioning the Statue of Liberty incident, and he reminds him that he found him in a time that he was a cage fighter. This, by itself, does not mean that the franchise prequels’ timeline is not followed either. In fact, the Samurai sword from Wolverine (2013) can be briefly seen as well. I think that the only one that has been left out of the canon is X-Men: Dark Phoenix (2019) but Kinberg’s film has already been forgotten and left out of every timeline ever existed right after it hit the big screen.

From Wolverine (2011) to… Old Man Logan, the hero’s journey has had its ups and downs but this is the best denouement a cinematic (anti)hero has ever seen.

Stay safe!

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Spoilers!

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Deep down I knew The New Mutants (2020) would take the torch after Logan. I knew it! “New Mutants” is brought up as a concept in Logan and the The New Mutants trailer was reeking of Essex Corporation. It is a bloody shame that, after waiting for so long, with a unique trailer for the X-Men franchise, and so talented new actors it was such a disappointment. Not only that but it had a huge plothole too. The film takes place after Logan – so after 2029, but we don’t know exactly when. By then, the X-Men were long gone, yet one of the new mutants speculates that the doctors’ bosses are the X-Men, non-verbally implying, specifically, Charles Xavier. One of them, at least, should have got their facts straight.

Ava (2020): Action / Crime / Drama

A female assassin with a troubled past, after having accomplished numerous missions, becomes a target herself and has to fight for her life.

Ava a film that I will spend little to no time and I’ll be brutally honest. Geena Davis is the only actress who is exempt from what comes next. She’s the flower protruding from the swamp.

Ava is badly shot, miserably edited, poorly acted, and horribly produced. What saddens me is the fact that A-list actors agreed to do this after reading a fundamentally flawed and clichéd script. Was it money? Boredom? Everyone was simultaneously high? Regardless, the result remains the same: a messed up, destined to sink and stay at the bottom, wannabe, Vidal Sassoon, assassin film.

How could they?!

Stay safe!

One Night in Bangkok (2020): Action / Crime / Drama

A man arrives at the airport of Bangkok, gets a gun, hires a young female taxi driver, and people with no obvious connection between them start dropping one by one.

One Night in Bangkok is more or less what you expect it to be. Producer/writer/director Wych Kaosayananda builds up the narrative slow enough for the audience to get to know Kai and Fha to justify the film’s denouement. The editing’s rhythm and pace put the film together harmonically, but quite early into the film one can realise that Kaosayananda doesn’t want to get rid of anything he has shot. And that becomes quite problematic. There is too much dialogue that could have been avoided, firstly, to tight the script up and reduce the film’s duration, and secondly, to edit out everything that the audience would have understood anyway without the heroes and villains saying it. The latter is a greater issue simply because, personally, I felt as if I don’t get enough credits as a viewer. I truly believe that about twenty minutes could have been cut out, leaving much to the audience’s imagination and also focusing on the action.

The action is another issue though that could have been done better too. By now, we have seen action films in the last couple of decades that are equivalent to a cinematic miracle. Prachya Pinkaew and Gareth Evans have offered us Thai and Indonesian productions that have left us gobsmacked. Ever since, action sequences have evolved and raised the bar sky-high. Going back to mediocre action scenes, especially starring Mark Dacascos, an avid martial artist, coming from a family of martial artists… lowers the expectations and generates mediocre reviews. Shame really.

The thing is that Dacascos is a good actor and I really hope that, even now that he is nearing 60 he can still impress us with something better written, directed, and produced. Lastly, Vanida Golten, who appears for the first time in a film, does a magnificent job. Lets hope that we see her in more projects.

Stay safe!

Midnight FM (2010): Action / Crime / Thriller

During a radio producer’s last show, a serial killer invades her home threatening to kill her family.

The overwhelming suspense! Three thrilling acts that will keep you glued to your seats until the very end. There is not one dull moment throughout the film. Korean suspenseful narrative that, as usual, it does not hold back and does not disappoint. This is a story-driven thriller where all utterances and actions are held accountable for is going to happen next.

Excellent directing that the fast-paced editing unfolds the fabula and syuzhet exactly when the information is needed to be disclosed. Soo Ae and Ji-Tae Yoo shine on camera, creating a stimulating chemistry. Extra round of applause goes to the little girls for their equally brilliant performances.

Midnight FM is a must-watch and no matter what I say will not make it more appealing. I hope you enjoy it as much as I did.

Stay safe!

The Villainess (2017): Action / Thriller

The Villainess.jpg

A female assassin accepts a mission that turns her world upside down.

One of the most impressive and bloody opening action sequences you have ever seen! Nikita (1990), meets Kill Bill: Vol. 1 (2003), meets Doom (2005). And then, they all meet a tad cliché and unnecessarily convoluted storyline.

A young girl who witnesses her father getting murdered (1), gets saved and recruited by some people (2), who help her avenge her father’s vicious murder (3), but then gets caught by a government organisation (4), which offers to train her (again?) (5), and ten years later, she starts a normal life (6), but goes back to doing missions (7). That’s the story’s development. And then there is the character’s (un)development. Finishing the second training, she comes out with fewer skills than the first.

The editing is somewhat confusing too. Ten years fly by like months. And time flies by after that too until the last mission where it decelerates to real-time. The rhythm and pace of this film is a case study. As for the directing… Honestly, it feels like the opening sequence’s director quit or got sacked during act two, and came back just for the final confrontation.

Please watch it if you haven’t already, and feel free to share your opinion. Maybe it’s me.

Stay safe!

The Old Guard (2020): Action / Fantasy

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A group of immortal mercenaries is been set up and hunted down, but together they’ll take down anyone who stands in their way.

Well-shot! Good job by Gina Prince-Bythewood as international films, especially of that magnitude, can never be easy. Too many locations, too much cast and crew, too many permissions to shoot, and too many visual effects. I believe it’s her most ambitious film to date so, well done! Charlize Theron and her multinational/multiracial team of mercenaries create great chemistry in front of the camera, offering plenty of action but also laughter when they take out and wield their weapon of choice.

Now, I would say that the film’s score is not a perfect match. Maybe I kept having the graphic novel in mind while watching, and, while reading the comic back in the day, that’s not the music I had in mind. I can understand that the film’s target audience is not me so, for younger people maybe it makes more sense. It is very well edited though (on that music), so the rhythm and pace compensate.

Before hitting “play” remember: This is a Skydance & Netflix production. The Old Guard follows the standard, New Hollywood narrative, aiming at an audience that has no interest in Italian neorealism. It is entertaining though and I enjoyed all the effort put from everyone in front and behind the camera. I hope you do as well.

Stay safe!

Stuber (2019): Action / Comedy / Crime

Stuber.jpg

Determined to avenge the death of his partner, a huge cop with limited vision recruits an Uber driver to take him to the city’s most dangerous parts.

Watch the trailer! What you see is exactly what you sign up for. If you like it, you’ll like the movie. If not… Bob’s your uncle. In a nutshell, Stuber and the genres accompanying it, describe accurately what kind of a film it is: action/comedy/crime. There is a crime and then there is a lot of comedic action that follows it. Dave Bautista and Kumail Nanjiani make a funny duet in a project that looks like… erm… a… version of Taxi (1998)? It isn’t, but you get the idea. Mira Sorvino, Natalie Morales, Betty Gilpin, Iko Uwais, and Karen Gillan complete the cast and charm the film even more with their presence.

There is no reason to be negative and bitter about films such as Stuber. It is an R-rated funny-buddy-action flick with the only noble intention to entertain you and nothing more. After watching the evening news, Stuber is definitely the right choice before bed.

Stay safe!

The Gangster, the Cop, the Devil (2019): Action / Crime / Drama

The Gangster, the Cop, the Devil.jpg

A hard as nails cop joins forces with a crime boss to take down a serial killer.

Based on a true story, The Gangster, the Cop, the Devil will get your undivided attention right off the bat from the opening scene. The South Korean film school proves time and time again that no matter what the genre, the outcome will be fulfilling and worth every minute you spend on it. Mu-Yeol Kim and Ma Dong-seok as cop and gangster respectively, develop excellent chemistry in their unlike partnership, offering a high-octane action / thriller trying to capture an unknown serial killer.

Captivating photography, engaging editing, and brilliant character and story development. Ma Dong-seok, after his amazing performance in Train to Busan (2016) comes back, punching above his league and comes out a winner stealing the show. Also, check Mu-Yeol Kim in Forgotten (2017) https://atomic-temporary-153424946.wpcomstaging.com/2020/05/25/forgotten-2017-mystery-thriller/. Both films HIGHLY recommended.

Now sit back, relax, and enjoy the bloody ride.

Stay safe!

Primal Rage (2018): Action / Adventure / Horror

Primal Rage.jpg

A young woman picks up her husband from prison but a car accident will put them up against hostile locals and a monstrous legend of the woods.

I’ll start with the good news, it’s less. Intriguing story. Not very original, but makes an interesting bigfoot logline for a film. The ones who have worked hard on this film are the makeup department’s boys and girls, making everyone’s death gory and fun.

All the rest belong to the opposite of good news. Directing, acting, and script are at best mediocre. Shame to see a decent story be somewhat crashed by the very departments that were meant to elevate it. But the story survived the crash… only to get irreparably crippled at first and then face a slow, painful, and vicious death – worse than any creature can cause – by editing. It is by far one of the worst edited films made in modern history. Absolute shame.

R.I.P. “Sheriff”.

Stay safe!

Knowing (2009): Action / Drama / Mystery

Knowing

A fifty-year-old list of numbers prophesying every major catastrophe that took place ever since will make a professor of astrophysics, and a single parent, to race against time to prevent the ones that are yet to happen.

Is pessimistic optimism a term? Does it make sense? It doesn’t, does it? Be it as it may, that’s the oxymoronic feeling you get out of Knowing. But first things first…

“Randomness vs Determinism”, from a philosophical and/or scientific point of view, will become the setup’s foundation, and your mind’s internal debate while watching the confrontation unfolding. One of my favourite Nicolas Cage movie from the noughties where, back then, I couldn’t find many flaws. Watching it now for a second time, eleven years later, I spotted certain plot holes and gimmicks but I didn’t let them get in the way. Yet, it answers all the questions it raises halfway there (not even in the end), and that feels a bit spoonfed for my taste. Regardless, Cage is the right man for the job, Rose Byrne delivers a great performance, the kids are surprisingly convincing, and Ben Mendelsohn, be it in a leading or supporting role, always nails it. Once again, it’s a shame that the film answers everything for you.

The man in the director’s chair is Alex Proyas, a director whose niche is dark fantasy/sci-fi. My personal bests are: The Crow (1994), Dark City (1998), and I, Robot (2004). Unfortunately, he has not been involved in many projects and some of them, I believe, were beneath him. I look forward to watching something of his ’90s style soon.

(Not)Fun fact: The film predicted the BP’s oil spill in the Mexican gulf the year after.

Stay safe!

Extraction (2020): Action / Crime / Thriller

Extraction

A self-destructive, black market mercenary signs up for a deadly mission where allies and enemies are difficult to tell apart.

I’m gonna start with the bad news: The script, unequivocally, has more holes than Swiss cheese. Something that, unavoidably, leads to clichés. Without wanting to decimate both the story and the plot, know what you sign up for! Two hours of standard Hollywood, action narrative, seriously lacking plausibility, and character depth.

Now for the good news: As a representative example of cinema of attractions, Extraction‘s mid-fighting sequence, where everyone is after Tyler and the kid, the seemingly almost-12-minute, protracted shot is brilliantly made. This type of filmmaking is challenging as hundreds or thousands of people put their magic touch to look as impressive. A lot of people are getting injured in front of the camera, and a lot of people are working endlessly day and night behind it. What’s more, Chris Hemsworth nails his part as the tough as nails guy who suffers internally more than he suffers when he gets run over and shot. Sam Hargrave’s directorial debut who has come a long way from a stunt double (Chris Evans’ as Captain America), to stunt choreographer to here. And been produced by the Russo Brothers, I can assume that MCU is indeed… a family. I admire people like Hargrave. He reminds me of other successful stunts turned directors and producers such as Chad Stahelski and David Leitch, and Zoë Bell. It is a hopeful sign that talent and hard work pay off.

So, who is this film for? For everyone who wants to forget our deeply damaged reality, consisting of shameless hypocrites and cowards who found themselves in power – or represent it. Turn off reality for a bit and see how popcorn entertainment can serve its purpose. My heart goes out to the people suffering. But remember:

“[…] Through every dark night, there’s a bright day after that. So no matter how hard it get, stick your chest out, keep ya head up…. and handle it.” ― Tupac Shakur

Stay safe!

Underwater (2020): Action / Drama / Horror

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Following an inexplicable, devastating earthquake, the crew of an oceanic drilling company must find a way to the surface while their whole facility collapses and creatures they have never seen before are after them.

This is the first time I watch a film, feeling like starting with the second act. I mean, as if the first act has been completely edited out. I would really like to get the shooting script and see if the script faded in this way or this “innovation” took place in the cutting room. Anyway, that’s the first strike right off the bat. The film’s main problem starts before that… in Hollywood. The vast majority of Hollywood producers never truly understood H. P. Lovecraft’s vision. They never grasped what the Cthulhu Mythos is. I might be wrong here but, as kids, they never really turned the lights off and scared themselves sh*tless with his cosmic horror. As adults, they only saw his stories as the cash cow; a means to make money! And that’s why the results are such.

Lovecraft’s stories are meant to inspire fear. His creatures cannot be fought. They hunt you and they haunt you and there is nothing you can do about it other than run and pray. And even then, the denouement will most likely not favour you. My second-best Lovecraftian adaptation is Color out of Space (2019) – https://atomic-temporary-153424946.wpcomstaging.com/2020/02/07/color-out-of-space-2019-horror-sci-fi/ and even though there were unresolved issues, director Richard Stanley managed to conceptualise his vision. But my number one old-time favourite adaptation still remains John Carpenter’s In the Mouth of Madness (1994) – https://atomic-temporary-153424946.wpcomstaging.com/2019/01/04/in-the-mouth-of-madness-1994-drama-horror-mystery/. Only if you watch it (or if you have) you will know what I am talking about. Having said that, the visual and sound effects teams did an amazing job with the creature(s). I must admit that that was really impressive. As Jessica Henwick always is. This isn’t William Eubank’s fault. He is a brilliant director and I look forward to watching his next couple of upcoming projects – I loved The Signal (2014).

In the world of Lovecraft, there is no action. Only struggle to remain sane while desperately trying to find any way out of it.

Stay safe!

The Rhythm Section (2020): Action / Drama / Mystery

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After losing her family in a terrorist attack, a young woman goes to extreme lengths to find and confront the people behind it.

I was really looking forward to this one but when it was released all hell broke loose. I will assume that that was the case for thousands of people and, mainly, that that was the reason for “one of the worst box office openings in history” – Bad Boys for Life (2020) though was released a fortnight prior to it and triumphed.

So, as that cannot be the only reason, I’m trying to get the full picture here. The story itself is not original but there is no such thing anyway so, my guess is that there are two problems. One, lies with the low level of espionage and the information surrounding it. People are found just… easily. Secondly, Stephanie was taken in… easily. “B” thought she caused big trouble with her actions, he didn’t believe in her skills, yet, he started training her straight away. That didn’t really make much sense.

Having said that, the film is well shot. The photography is dark, the editing advances the story and drives it forward, Reed Morano’s directing is challenging, to the point where I would say exceptional, and Blake Lively proves to be the up and coming mercenary / assassin. The car chase is the film’s trademark and will get you on the edge of your seat. Also, the realistic fight sequences add extra believability to the heroine’s journey.

The film’s challenges are understandable but with James Bond‘s producers behind it, it shouldn’t be too much of a problem to get made. Again, my humble, unsolicited opinion is that the problem was the script. More time should have been spent on her acceptance, her training, and the difficulty to acquire the targets. Morano and Lively put a tremendous effort and that needs to be recognised.

Stay safe!

Bacurau (2019): Action / Adventure / Mystery

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A pair of bikers show up in a remote Brazilian village, foreshadowing the massacre that isn’t far behind them.

What a concept! And its development is something else! Forget about the classic Hollywood narrative and character development. The built-up and the escalation have a Brazilian signature, one you haven’t seen before. The everyday people, the everyday problems, the everyday average corrupted politician… it’s all there. A brilliant antithesis to modern Hollywood films such as John Woo’s Hard Target (1993) or indie American ones such as Happy Hunting (2017).

Editing-wise, the extensive uses of swipes, dissolves, and flashbacks lead to a non-linear action and a pace that is messing with your mind; not knowing when it’s going to escalate or how it’s going to escalate. Add to that the “who is who” and what everyone is hiding and you get a mixture of Tarantino, DePalma, Carpenter, and Leone wrapped with Brazilian magic in two unforgettable hours! In a classic Hollywood narrative, every incoherence, inconsistency, and discontinuity stands out like a fart in a library. For some reason, watching a film like Bacurau, you pray for more of them.

Stay safe!

 

Jordan, cheers for this suggestion mate! Hope to see you again before you start traveling!

The Hunt (2019): Action / Horror / Thriller

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Twelve strangers wake up in a picturesque, bucolic setting only to be hunted down by unknown people.

Hollywood is an entity. A living, breathing, evolving and devolving, existentially confused entity. Universal, one of the major limbs of this entity, has a long-standing reputation of daring, challenging genders and races. The Hunt is not an original concept but it’s a brilliant concoction of funny lines, vulgar language, and insults of all kinds, surrounded by gore! IMDb forgot to add comedy to the genres which purely is beyond me. The Hunt has the ability to keep on the edge of your seat while making you laugh. Extreme violence that does not disappoint.

Unfortunately, it was never meant to take off. Fate, destiny, goddamn bad luck? I don’t know and it doesn’t really matter anyway. Producer Jason Blum funds the amazing indie director Craig Zobel, who collaborates once more with writer Damon Lindelof in a one of a kind provocative, low budget, highly entertaining action/horror that caused significant reactions. It tried to come out last September but the mass shootings in the US prevented from doing so. Then, it was meant to come out a fortnight ago but the pandemic this time prevented from doing so. Universal released it on a DVD and on-demand anyway and we, the audience, are so glad about their decision.

Sit back, relax, try to forget for an hour and a half the tragic reality we are currently facing and… I dare you to guess who is the protagonist / who’s gonna make it out alive when they all gather in the field.

Stay safe!

Bloodshot (2020): Action / Drama / Sci-Fi

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A soldier comes back from a mission, gets murdered, but is brought back to life with superpowers and now he seeks revenge.

I’m not going to slay it. The film suffered irreparable damage from the pandemic but was not going to perform well anyway. Director Dave Wilson is a VFX director and it showed straight away on his feature debut. The film’s narrative doesn’t flow and the editing, probably for production reasons, is trying to pick up the pieces and put them together. It didn’t even mimic or attempt to better the à la The Edge of Tomorrow (2014) repeat mode part to enhance and engage the audience with Bloodshot’s “nightmare”. Toby Kebbell’s and Guy Pearce’s charisma didn’t get the chance to shine at all as, once again, the narrative didn’t do anyone any favours.

Films like Bloodshot work as reminders that even if the original source is a best selling graphic novel (Valiant’s in this instance), this merely means that the respective film will be as successful. “Don’t judge a book by its film”, I read somewhere. It’s a shame, the film was doomed to take a big hit either way.

I would like to conclude by taking my hat off to the VFX department as they couldn’t have done it better and the result of their work is highly impressive.

Point Blank (2019): Action / Crime / Thriller

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A male nurse and a crook have to team up against corrupted cops and gangsters to protect their families.

Entertaining Netflix action flick with two amazing actors, buddies from Gangster Squad (2013) and the MCU. Anthony Mackie and Frank Grillo unite once more as hero and antihero respectively and spend 24 unforgettable (screening) hours together to get theirs and their families’ lives back. Netflix knows the recipe very well and does it once more. The addition of humourous elements adds to the joy and the fast-paced thrill makes your hour and twenty minutes fly by. Joe Lynch deserves the spotlight and I hope one day he really gets it as that’s the third film I’ve seen from him and I must say that his films are highly enjoyable. Worth mentioning are also: Everly (2014) and Mayhem (2017) – Good opportunity to re-watch them and review. Very well acted by both Mackie and Grillo who make an incredible duo.

Don’t fall for the negativity. Especially, in unfortunate and difficult times that all of us are facing at the moment, films like Blank Point make us forget how gloomy and nasty it is out there. Sit back, relax, and enjoy. And always stay safe!

Charlie’s Angels (2019): Action / Adventure / Comedy

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When a young whistleblower becomes a target, the new generation of Charlie’s Angels team steps in to save her and solve a corporate conspiracy.

If I’ve said it once I’ve said it a thousand times… I don’t judge films, I judge their intentions. There might have been bad/horrible films which meant well but due to budgetary reasons or other unforeseen circumstances they faced issues. Not this one though! Charlie’s Angels is, unfortunately, undermining human intelligence. Despite Elizabeth Bank’s efforts to convince us that whoever doesn’t watch her film is sexist, the film itself couldn’t be more sexist. She tried to mitigate the successes of previous female-led films by saying that even them they were meant to be profusely for the male audience. Finally, even after her film flopped at the box office, and the critics ‘buried’ it (so no one finds it ever again), she was still proud of it.

I have nothing much to say about the film: Writer/producer/director/actress Banks and the rest of the producers prove that they have no knowledge of what real fighting or Krav Maga is. The same applies to spy games, corporate espionage, and the appreciation of the human (male) life – see how both men’s death is treated (excluding the T-1000 lookalike assassin). The action couldn’t be more laughable and the messages it is trying to come across are horrendous. To cut the long story short, this Charlie’s Angels rightfully earned its flop just like Ocean’s 8 (2018) did the year before. What were they thinking? That by portraying white men as villainous and stupid the film will instantly perform well? It is an embarrassment. And that’s me done about the waste of my almost two hours.

There is something else that the creators of this film have no grasp of: How it is to be stuck into a 9-5 job that you hate or do 24-hour shifts round the clock. One of the things they would have learned – which would be beneficial to the film as well – is that wherever there is no diversity, there is a problem. Have you ever been to a working environment with just women? The amount of bitching is unfathomable! Have you ever been to a working environment with only men? Plainly boring and dull! This world needs diversity and we all need each other equally to move forward. Furthermore, we all need to stop being proud of what we haven’t earned.

Elizabeth Banks is extremely talented both in front of and behind the camera and I will keep being a fan regardless. Watch her Pitch Perfect 2 (2015) and watch her in People Like Us (2012) to get an idea. It is a shame that she tried to please the masses and pretentious social media groups. Because even they didn’t care about her effort.

 

P.S. To the mindless side of Hollywood: Stop treating us like we are dumb. We know life better than you do!

21 Bridges (2019): Action / Crime / Drama

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A drug robbery goes horribly bad, police officers get killed, and a hard as nails cop shuts down Manhattan in order to get them.

It feels like anything positive I have to say about the film is going to be generic and everything that is wrong will be thoroughly detailed. So, I’ll try to balance it out. The corruption in the police is old news. One man fighting against the system, too. The fact that racism is left out is hopeful. And shutting down Manhattan to achieve a bust is… innovative. 21 Bridges is definitely entertaining and will make you forget your problems for an hour and forty minutes. But implausibility becomes a major issue.

It’s giving me the sense that a third of the film is missing. A third of the film has been left in the editing room. In an hour and forty minutes, we don’t get enough character development. ‘Trigger’ doesn’t earn his name and yet it shows towards the end that he has skills. Ray (brilliantly played by the always brilliant Taylor Kitsch), the guy that is not to be messed with no matter what does not get the time (or opportunity) to go against ‘Trigger’ and give us, the audience, a spectacle. So, their brief encounter is anticlimactic. Then, the four hours script-time (the timeframe in which the cop killers need to get caught) must be squeezed into less than an hour screen-time with action that happens way too fast and disillusions the magic. To cut the long story short, the parallel action is at warp speed, jumping from one clue to the next, leading to resolution, leaving us with no absorption of any information. With the Russo Brothers putting on the producers’ hat, I would expect more detail, especially with character development.

To finish up on a good note, the robbery in the opening act is meticulously shot, with the editing offering clean cuts and, coincidentally, clean action. Also, Chadwick Boseman is the right man for the role and if you want to see him properly unfolding his action skills, watch Message from the King (2016).

Gemini Man (2019): Action / Drama / Sci-Fi

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A highly trained hitman decides to retire but the organisation he works for sends… a younger version of him to execute him.

Watching the trailer, I couldn’t see how there is going to be a mind-blowing twist somewhere. There isn’t. More or less, what you see is what to be expected: Will Smith vs Will Smith. For a film that started been developed in the ’90s, with so many different names attached over the years, with the torch been passed on from studio to studio… the script is poorly developed. IMDb couldn’t care less with a logline that gives away the plot. Script-wise, there is nothing really fascinating at all. I think this is the first Ang Lee film I have ever watched that I was wondering why he signed up for this. Meaning, the film has two impressive sequences: the motorbike chase (Smith vs Smith) and the hand-to-hand combat (Smith vs Smith). All the credits should be shared amongst the visual effects department for coming through with some ground-breaking visuals, the sound effects department, and the frequent Ang Lee editor, Tim Squyres. His editing is immaculate and stitches Lee’s most difficult shots together with delicacy and finesse, creating incredible unity and continuity.

I’m really being nice here. One of the film’s six (6) nominations is from St. Louis Film Critics Association, US for… Worst Film of the Year! Anyway, to cut the long story short, and just in case you haven’t figure it out by now, this is Smith vs Smith film. I must admit, at some point, this eerie feeling took over me that it was Deadshot fighting The Fresh Prince