Greenland (2020): Action / Drama / Thriller

A comet’s passing ends up being an extinction-level catastrophe and a battle for survival for an estranged family.

Fast-edited action films are a Hollywood trademark. There is a misconception though that the faster a film is edited the better results are going to yield. I’ll prove my point in a second. The beginning of the first act is quite formulaic with the camera set on the tripod, playing out exactly as it supposed to. But once I was about to sigh in despair, to my surprise, just before everything goes tits up, Ric Roman Waugh, dismounts the camera and goes on a road trip where the narrative’s delay of resolution stretches the suspense to very high levels. I don’t know if that was a conscious decision or not but I must say that Greenland becomes a quite realistic, intense thriller where most humans become scarier than the comet’s nucleus. But very touching is the vast minority who, till the very end, they dedicate and sacrifice their lives to do as much good as they can in times humanity needs it the most (Comparisons with our current pandemic are most welcome).

Gerald Butler and Moreena Baccarin go through absolute hell and with them the young Roger Dale Floyd. All three of them are absolutely thrilling! This isn’t like the Geostorm (2017) bullshit that even Butler didn’t wanna be in. Everyone believes in this one and works as hard as they can to make it work. And it does work, indeed. My breath was taken with Baccarin’s performance when her kid was abducted (no more spoilers). I can’t imagine a mother acting any other way.

The point I wanted to prove is that War of the Worlds (2005), by far my favourite apocalyptic thriller, is, arguably, the slowest edited film of its kind. Same applies for Jurassic Park (1993). So, don’t get fooled by multi-chopped action sequences; it’s an illusion. Greenland invests in both character and story development and is definitely worth a watch. The two things that seem problematic to me and could have changed are the title, which gives away a ton of information, and the ending, which like Signs (2002), it should have ended when cutting to the prolonged darkness. See and decide for yourselves.

Stay safe!

Tenet (2020): Action / Sci-Fi

A man is tasked to save the world with a mission that defies the laws of physics as we know them, given only the word, Tenet.

Like any other Nolan film, Tenet requires an analysis rather than a review. But I’ll simplify things as best I can. A type of film like this requires a humongous amount of time in preproduction. And they have spent that time wisely. That is why from both production and postproduction point of view, the film is immaculate and unlike anything you have ever seen. No matter what I say, it won’t make it better.

The problem lies right off the bat with the script though. The similar opening to The Dark Knight (2008) poses a significant issue. There is a preexisting knowledge on the Joker where you know who he is and what he is capable of. And if you don’t know the full extent, you find out in a brilliant manner in minutes. Then, the film cuts to people you have already met from Batman Begins (2005), and gradually, it escalates keeping everyone in the loop. In Tenet, no one is aware of anyone or anything, and without any ado, Nolan keeps bombarding you with more and more information where everyone seems to start getting it, but the viewer. Fear not, though. The science is fictional – pun intended – so please, don’t feel bad if you don’t get it. You won’t get it if you watch it a second time either. Nolan himself doesn’t really get it (hence, leaving our certain details) but the impressive filmmaking and the delusion that you might get it if you pay close attention compensates. The similarities in narrative can be compared to Interstellar (2014).

For a film that examines paradox, it is interesting how for something that no one knows anything about, no one thinks twice before they instantly and unhesitatingly say what they have to say. Same applies for planning and acting. At the end of one sequence they find out about something, at the beginning of the next one they have already the equipment, they have already traveled round the globe, and have already come up with a meticulous plan.

George Méliès was running the camera backwards over a hundred years ago so, even though from a filmmaking point of view, Tenet is not parthenogenesis, it surely is a unique concept, exteremely well planned, and amazingly executed. If it wasn’t for this goddamn pandemic, it would have easily joined the billion dollar club.

Stay safe!

P.S. The indie, and unfathomably much lower-budget version of Tenet is Primer (2004): https://kgpfilmreviews.com/2020/11/26/primer-2004-drama-sci-fi-thriller/

Logan (2017): Action / Drama / Sci-Fi

In 2029, where the X-Men are gone and mutants are on the verge of extinction, an elderly and slowly dying Logan must lead Charles Xavier and a young mutant to safety when an evil corporation goes after them.

I don’t write about superhero films, really. As much as I’ve watched them all and as much as I’m a graphic novel collector, I prefer to keep a distance. But I intend to write about my top 5 (to date) as I truly think they are powerful films and, in my humble opinion, the best of their kind. And, after watching it for the third time, Logan most certainly still remains in that top 5.

First and foremost, because of Hugh Jackman and Sir Patrick Stewart. Secondly, due to (co)writer/director James Mangold. The trio makes a combo that brings to life an unprecedented, R-rated, existential drama/fiction, no one expected to see. Mangold’s genius lies in synthesizing the narrative; the character and the story development. Such synthesis requires a thorough understanding of who the Wolverine was and what he had accomplished, while never managing to make peace with his nature and never overcoming his loathing for his nurture. And that, respectively, requires a thorough understanding of the difference between thinking of knowing what an antihero is and the unfathomably harsh reality of having to live with yourself and everything you have done, for almost two centuries, to become that wrong perception.

Officially, the film is a standalone and it follows neither the original X-Men’s timeline and its prequels nor the franchise’s prequels. However, Charles Xavier is mentioning the Statue of Liberty incident, and he reminds him that he found him in a time that he was a cage fighter. This, by itself, does not mean that the franchise prequels’ timeline is not followed either. In fact, the Samurai sword from Wolverine (2013) can be briefly seen as well. I think that the only one that has been left out of the canon is X-Men: Dark Phoenix (2019) but Kinberg’s film has already been forgotten and left out of every timeline ever existed right after it hit the big screen.

From Wolverine (2011) to… Old Man Logan, the hero’s journey has had its ups and downs but this is the best denouement a cinematic (anti)hero has ever seen.

Stay safe!

.

.

.

Spoilers!

.

.

.

Deep down I knew The New Mutants (2020) would take the torch after Logan. I knew it! “New Mutants” is brought up as a concept in Logan and the The New Mutants trailer was reeking of Essex Corporation. It is a bloody shame that, after waiting for so long, with a unique trailer for the X-Men franchise, and so talented new actors it was such a disappointment. Not only that but it had a huge plothole too. The film takes place after Logan – so after 2029, but we don’t know exactly when. By then, the X-Men were long gone, yet one of the new mutants speculates that the doctors’ bosses are the X-Men, non-verbally implying, specifically, Charles Xavier. One of them, at least, should have got their facts straight.

Ava (2020): Action / Crime / Drama

A female assassin with a troubled past, after having accomplished numerous missions, becomes a target herself and has to fight for her life.

Ava a film that I will spend little to no time and I’ll be brutally honest. Geena Davis is the only actress who is exempt from what comes next. She’s the flower protruding from the swamp.

Ava is badly shot, miserably edited, poorly acted, and horribly produced. What saddens me is the fact that A-list actors agreed to do this after reading a fundamentally flawed and clichéd script. Was it money? Boredom? Everyone was simultaneously high? Regardless, the result remains the same: a messed up, destined to sink and stay at the bottom, wannabe, Vidal Sassoon, assassin film.

How could they?!

Stay safe!

One Night in Bangkok (2020): Action / Crime / Drama

A man arrives at the airport of Bangkok, gets a gun, hires a young female taxi driver, and people with no obvious connection between them start dropping one by one.

One Night in Bangkok is more or less what you expect it to be. Producer/writer/director Wych Kaosayananda builds up the narrative slow enough for the audience to get to know Kai and Fha to justify the film’s denouement. The editing’s rhythm and pace put the film together harmonically, but quite early into the film one can realise that Kaosayananda doesn’t want to get rid of anything he has shot. And that becomes quite problematic. There is too much dialogue that could have been avoided, firstly, to tight the script up and reduce the film’s duration, and secondly, to edit out everything that the audience would have understood anyway without the heroes and villains saying it. The latter is a greater issue simply because, personally, I felt as if I don’t get enough credits as a viewer. I truly believe that about twenty minutes could have been cut out, leaving much to the audience’s imagination and also focusing on the action.

The action is another issue though that could have been done better too. By now, we have seen action films in the last couple of decades that are equivalent to a cinematic miracle. Prachya Pinkaew and Gareth Evans have offered us Thai and Indonesian productions that have left us gobsmacked. Ever since, action sequences have evolved and raised the bar sky-high. Going back to mediocre action scenes, especially starring Mark Dacascos, an avid martial artist, coming from a family of martial artists… lowers the expectations and generates mediocre reviews. Shame really.

The thing is that Dacascos is a good actor and I really hope that, even now that he is nearing 60 he can still impress us with something better written, directed, and produced. Lastly, Vanida Golten, who appears for the first time in a film, does a magnificent job. Lets hope that we see her in more projects.

Stay safe!

Midnight FM (2010): Action / Crime / Thriller

During a radio producer’s last show, a serial killer invades her home threatening to kill her family.

The overwhelming suspense! Three thrilling acts that will keep you glued to your seats until the very end. There is not one dull moment throughout the film. Korean suspenseful narrative that, as usual, it does not hold back and does not disappoint. This is a story-driven thriller where all utterances and actions are held accountable for is going to happen next.

Excellent directing that the fast-paced editing unfolds the fabula and syuzhet exactly when the information is needed to be disclosed. Soo Ae and Ji-Tae Yoo shine on camera, creating a stimulating chemistry. Extra round of applause goes to the little girls for their equally brilliant performances.

Midnight FM is a must-watch and no matter what I say will not make it more appealing. I hope you enjoy it as much as I did.

Stay safe!

The Villainess (2017): Action / Thriller

The Villainess.jpg

A female assassin accepts a mission that turns her world upside down.

One of the most impressive and bloody opening action sequences you have ever seen! Nikita (1990), meets Kill Bill: Vol. 1 (2003), meets Doom (2005). And then, they all meet a tad cliché and unnecessarily convoluted storyline.

A young girl who witnesses her father getting murdered (1), gets saved and recruited by some people (2), who help her avenge her father’s vicious murder (3), but then gets caught by a government organisation (4), which offers to train her (again?) (5), and ten years later, she starts a normal life (6), but goes back to doing missions (7). That’s the story’s development. And then there is the character’s (un)development. Finishing the second training, she comes out with fewer skills than the first.

The editing is somewhat confusing too. Ten years fly by like months. And time flies by after that too until the last mission where it decelerates to real-time. The rhythm and pace of this film is a case study. As for the directing… Honestly, it feels like the opening sequence’s director quit or got sacked during act two, and came back just for the final confrontation.

Please watch it if you haven’t already, and feel free to share your opinion. Maybe it’s me.

Stay safe!

The Old Guard (2020): Action / Fantasy

The Old Guard.jpg

A group of immortal mercenaries is been set up and hunted down, but together they’ll take down anyone who stands in their way.

Well-shot! Good job by Gina Prince-Bythewood as international films, especially of that magnitude, can never be easy. Too many locations, too much cast and crew, too many permissions to shoot, and too many visual effects. I believe it’s her most ambitious film to date so, well done! Charlize Theron and her multinational/multiracial team of mercenaries create great chemistry in front of the camera, offering plenty of action but also laughter when they take out and wield their weapon of choice.

Now, I would say that the film’s score is not a perfect match. Maybe I kept having the graphic novel in mind while watching, and, while reading the comic back in the day, that’s not the music I had in mind. I can understand that the film’s target audience is not me so, for younger people maybe it makes more sense. It is very well edited though (on that music), so the rhythm and pace compensate.

Before hitting “play” remember: This is a Skydance & Netflix production. The Old Guard follows the standard, New Hollywood narrative, aiming at an audience that has no interest in Italian neorealism. It is entertaining though and I enjoyed all the effort put from everyone in front and behind the camera. I hope you do as well.

Stay safe!

Stuber (2019): Action / Comedy / Crime

Stuber.jpg

Determined to avenge the death of his partner, a huge cop with limited vision recruits an Uber driver to take him to the city’s most dangerous parts.

Watch the trailer! What you see is exactly what you sign up for. If you like it, you’ll like the movie. If not… Bob’s your uncle. In a nutshell, Stuber and the genres accompanying it, describe accurately what kind of a film it is: action/comedy/crime. There is a crime and then there is a lot of comedic action that follows it. Dave Bautista and Kumail Nanjiani make a funny duet in a project that looks like… erm… a… version of Taxi (1998)? It isn’t, but you get the idea. Mira Sorvino, Natalie Morales, Betty Gilpin, Iko Uwais, and Karen Gillan complete the cast and charm the film even more with their presence.

There is no reason to be negative and bitter about films such as Stuber. It is an R-rated funny-buddy-action flick with the only noble intention to entertain you and nothing more. After watching the evening news, Stuber is definitely the right choice before bed.

Stay safe!

The Gangster, the Cop, the Devil (2019): Action / Crime / Drama

The Gangster, the Cop, the Devil.jpg

A hard as nails cop joins forces with a crime boss to take down a serial killer.

Based on a true story, The Gangster, the Cop, the Devil will get your undivided attention right off the bat from the opening scene. The South Korean film school proves time and time again that no matter what the genre, the outcome will be fulfilling and worth every minute you spend on it. Mu-Yeol Kim and Ma Dong-seok as cop and gangster respectively, develop excellent chemistry in their unlike partnership, offering a high-octane action / thriller trying to capture an unknown serial killer.

Captivating photography, engaging editing, and brilliant character and story development. Ma Dong-seok, after his amazing performance in Train to Busan (2016) comes back, punching above his league and comes out a winner stealing the show. Also, check Mu-Yeol Kim in Forgotten (2017) https://kgpfilmreviews.com/2020/05/25/forgotten-2017-mystery-thriller/. Both films HIGHLY recommended.

Now sit back, relax, and enjoy the bloody ride.

Stay safe!