The Villainess (2017): Action / Thriller

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A female assassin accepts a mission that turns her world upside down.

One of the most impressive and bloody opening action sequences you have ever seen! Nikita (1990), meets Kill Bill: Vol. 1 (2003), meets Doom (2005). And then, they all meet a tad cliché and unnecessarily convoluted storyline.

A young girl who witnesses her father getting murdered (1), gets saved and recruited by some people (2), who help her avenge her father’s vicious murder (3), but then gets caught by a government organisation (4), which offers to train her (again?) (5), and ten years later, she starts a normal life (6), but goes back to doing missions (7). That’s the story’s development. And then there is the character’s (un)development. Finishing the second training, she comes out with fewer skills than the first.

The editing is somewhat confusing too. Ten years fly by like months. And time flies by after that too until the last mission where it decelerates to real-time. The rhythm and pace of this film is a case study. As for the directing… Honestly, it feels like the opening sequence’s director quit or got sacked during act two, and came back just for the final confrontation.

Please watch it if you haven’t already, and feel free to share your opinion. Maybe it’s me.

Stay safe!

The Wretched (2019): Horror

The Wretched

A teenager spends his summer working for his dad, falls in love, and confronts an ancient demonic entity.

Strong opening sequence to get your undivided attention, followed by some American cliche but… don’t let that trick you. The indie spirit of filmmaking makes it interesting, original (partially), funny, agonising, and quite scary. Until half-way the second act, it feels like it’s two different films eagerly waiting to become one. Past the second act’s montage, the moment you start thinking: “Yes, but how…”stop it! Play along! The Wretched beats a lot of conventions, something that makes it a highly enjoyable must-watch, summer horror flick (if you didn’t watch it last year). The HUGE POSITIVE SURPRISE is Piper Curda who is as hilarious as she is thrilling. She definitely stands out.

The Wretched is a highly enjoyable summer horror flick (not for the whole family) to spend an hour and a half, forgetting our sad reality. I hope you feel the same way.

Stay safe!

Influential, Dissuasive, and Thought-Provoking Monologues

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“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.

Below you can find my analysis on some of the most influential, dissuasive, and thought-provoking monologues I hand-picked. I hope these chosen ones entertain you, educate you, and, potentially, find an application in the way you see and experience life.

Stay safe!

Influential, Dissuasive, and Thought-Provoking Monologues

 

Stuber (2019): Action / Comedy / Crime

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Determined to avenge the death of his partner, a huge cop with limited vision recruits an Uber driver to take him to the city’s most dangerous parts.

Watch the trailer! What you see is exactly what you sign up for. If you like it, you’ll like the movie. If not… Bob’s your uncle. In a nutshell, Stuber and the genres accompanying it, describe accurately what kind of a film it is: action/comedy/crime. There is a crime and then there is a lot of comedic action that follows it. Dave Bautista and Kumail Nanjiani make a funny duet in a project that looks like… erm… a… version of Taxi (1998)? It isn’t, but you get the idea. Mira Sorvino, Natalie Morales, Betty Gilpin, Iko Uwais, and Karen Gillan complete the cast and charm the film even more with their presence.

There is no reason to be negative and bitter about films such as Stuber. It is an R-rated funny-buddy-action flick with the only noble intention to entertain you and nothing more. After watching the evening news, Stuber is definitely the right choice before bed.

Stay safe!

The Gangster, the Cop, the Devil (2019): Action / Crime / Drama

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A hard as nails cop joins forces with a crime boss to take down a serial killer.

Based on a true story, The Gangster, the Cop, the Devil will get your undivided attention right off the bat from the opening scene. The South Korean film school proves time and time again that no matter what the genre, the outcome will be fulfilling and worth every minute you spend on it. Mu-Yeol Kim and Ma Dong-seok as cop and gangster respectively, develop excellent chemistry in their unlike partnership, offering a high-octane action / thriller trying to capture an unknown serial killer.

Captivating photography, engaging editing, and brilliant character and story development. Ma Dong-seok, after his amazing performance in Train to Busan (2016) comes back, punching above his league and comes out a winner stealing the show. Also, check Mu-Yeol Kim in Forgotten (2017) https://kgpfilmreviews.com/2020/05/25/forgotten-2017-mystery-thriller/. Both films HIGHLY recommended.

Now sit back, relax, and enjoy the bloody ride.

Stay safe!

Primal Rage (2018): Action / Adventure / Horror

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A young woman picks up her husband from prison but a car accident will put them up against hostile locals and a monstrous legend of the woods.

I’ll start with the good news, it’s less. Intriguing story. Not very original, but makes an interesting bigfoot logline for a film. The ones who have worked hard on this film are the makeup department’s boys and girls, making everyone’s death gory and fun.

All the rest belong to the opposite of good news. Directing, acting, and script are at best mediocre. Shame to see a decent story be somewhat crashed by the very departments that were meant to elevate it. But the story survived the crash… only to get irreparably crippled at first and then face a slow, painful, and vicious death – worse than any creature can cause – by editing. It is by far one of the worst edited films made in modern history. Absolute shame.

R.I.P. “Sheriff”.

Stay safe!

Happy Death Day 2U (2019): Comedy / Horror / Mystery

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Once she thought that she had fulfilled her purpose and closed the loop, Tree finds herself waking up once more on her birthday… but nothing is the same. 

Here’s an analogy for you. The first one was kinda scary and kinda funny. Now, this one is not scary and very funny. So, what do you think? Does that make it a better sequel? There is also an upgrade: The mixture of Groundhog Day (1993) and Back to the Future (1985). The good news is that there is no bad news. What you think you sign up for, it is exactly that. There is some suspense, the science is laughable but no one is trying to convince you otherwise, the editing adds to the film’s quality and creates the desired emotions, and everyone is playing their part as they should be. Speaking of, there is one surprise; a happy one…

Jessica Rothe! The film’s source of hilarity is also the cause of the heart-warming drama that will cut your breath short even for those tiny given moments. Director Christopher Landon does an excellent job directing the mother/daughter sequences so, congratulations are also in order for the actress Missy Yager.

Very enjoyable! It will definitely make you forget our miserable reality even for that hour and a half. 

Stay safe!

I Still See You (2018): Fantasy / Horror / Sci-fi

I Still See You

After an experiment kills millions of people, the living must get used to coexisting with the ghosts the dead left behind. 

Right… I’m gonna cut to the chase. If I’ve said it once, I’ve said it a thousand times. I don’t judge the film but its intentions. So, if you decide to watch it, this is what you sign up for:

  • Teenage scenery. 
  • Emo girl.
  • Weird guy no one likes except for the emo girl.
  • An American(!) school full of students where no one is obese.
  • In fact, an American(!) school full of (white) people where EVERYONE could as well be an underwear model.
  • Back to the emo/weird, they are investigators, come up with a theory that no one ever thought before or believes now, and fall in love.
  • In the end, you’ll never guess, they were right all along. Every other buffoon scientist wasted their degrees.
  • Music, which is not bad at all actually, accompanies every single sequence as the narrative and dialogue are beyond understanding.
  • Speaking of something decent, photography and set decoration are dark and compelling respectively.

To conclude, do you remember the 80s and 90s teenage horrors? Then forget about this! I don’t like doing reviews like this one and I have no idea what possessed me to watch it – Maybe the past, glorious days of Dermot Mulroney. Strictly under 15. Please provide ID before hitting “play”. You’ve been warned!

To everyone responsible for this film: Do not underestimate your audience’s mentality! It is immoral and, for that, you pay the price ==> Opening Weekend USA: $815 (Source: IMDb). Producers, accept the facts:

  • The US is a country of multiculturalism.
  • There are people who may not fit the profile to advertise fragrances but they are beautiful in their own way nonetheless.
  • Cast actors and actresses according to their skills, not your fantasy of the ideal appearance. 

Stay safe!

Silence (2017): Short / Drama

Silence

The impending apocalypse finds a mother and her autistic daughter spending their last moments together.

Silence is one of these short films that you watch and the first question that comes to your mind is: “What is happening?”. Upon establishing that, the question that follows is: “Why is this happening?” The answer to that lies in the hands of the filmmakers and their effort to get the funding they need to turn it into a feature. Official selection at the Los Angeles Film Festival, so I keep my fingers crossed to be seen by the right people who can add a solid setup and confrontation. Something along the lines of Knowing (2009)?

While discontinuous editing has proved to be innovative and effective in the past – see Breathless (1960) – in Silence this is not the case. I believe though that the strong message, the impressive photography (observe the changes as the doom is nearing), and the great performances by both Louise Rhian Poole and Riann Mutlow will win the impressions and writer Rachael Howard, director Lee Burgess, and producer John Ninnis will come out of the festival with a signed deal that will answer the “why”. You can watch it here: https://www.youtube.com/watch?v=16Gwlb2-gw0

Stay safe!

The Vast of Night (2019): Drama / Mystery / Sci-Fi

The Vast of Night

New Mexico, 1948: A switchboard operator detects a frequency like anything she has ever heard before, a radio producer broadcasts it, and myth, reality, and paranoia start blending into one.

Act I: The phenomenal antithesis between fast-talking actors and protracted shots. To be more specific, we are talking about up to 10-minute dolly and steady-cam shots. Great set-up and character introduction along with made-up experiments that get you into the low budget sci-fi mood and make you chuckle with their “accuracy”.

Act II: Past the slow-burn intro, the clash between reality and storytelling of loneliness becomes as vague as the editing techniques pacing it. It takes yet another heroine of life to wind the pace down and get you comfy with another story from the “fortress of solitude”, the plot point that leads to…

Act III: A resolution with no twist, yet a worthy ending. An ending that the two previous acts promised and did not mislead you about.

Meet Andrew Patterson! The writer/editor/producer/director behind The Vast of Night. The filmmaker who is known for… The Vast of Night. I had never heard the guy before. Well, guess what? IMDb hadn’t either. So, here’s the question: Who cares?! The man made this film almost on his own (using three different names). An honest tribute to The Day the Earth Stood Still (1951), The War of the Worlds (1953), and The Twilight Zone (1959) with suspenseful sequences accompanied by, among others, Cretan (Greek) music!

You watch the film, then you look at his picture and you can’t help but wonder: “Doesn’t he look like one of them alien conspiracy bloggers/vloggers”? Again, who cares?! Patterson is a talent! He got turned down by, I don’t know, 15 major film festivals? Few of them accepted him though and shared his vision. And I’m glad Amazon Studios did as well. I take my hat off to him. He’s a living, breathing, walking proof that all of us need to stick to our dream and keep it real. Andrew, cheers for that geezer!!! Much appreciated!

An extra, special bravo goes to Sierra Mccormick and Jake Horowitz for being true thespians and delivering Patterson’s dream.

Stay safe!