The Qatsi Trilogy

 

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“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.

Below you can find my analysis on the Qatsi trilogy. A cinematic statement about civilisation, technology, nature, and the relationship among the three. A trilogy left behind in the shadow cast by blockbusters, forgotten by time, buried in oblivion.

The Qatsi Trilogy

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Bad Santa (2003): Comedy / Crime / Drama

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A miserable thief and his angry sidekick keep posing as Santa and elf to con people but their Christmas Eve job goes terribly wrong.

Watch the unrated version! Right off the bat, Billie Bob’s monologue! This is when you know exactly what you sign up for; ‘an eating, drinking, shi*ing, f*ing Santa Claus’! Billie Bob Thornton, Tony Cox, and the always missed Bernie Mac make you laugh hard for an hour and a half. Plenty of foul language – with the word ‘f*ck’ and its permutations (over 170 times) ruling at the top, ‘sh*t’ (74), ‘ass’ (31), ‘bitch’ (10), and 1 use of ‘bastard’ plenty of political incorrectness, and plenty of actual booze… for Thornton… acting himself. The Cohen brothers and director Terry Zwigoff have done a brilliant job refining Glenn Ficarra’s and John Requa’s script. Excellent mix of Christmas and classical music!

Despite its hilarious profanity and misery, Bad Santa sets off as a dark, dark comedy, ending up being an emotional journey of a lonely, broken man who finds a reason to live.

You can find it here: https://amzn.to/2ZwBKd5

Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)

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“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.

Below you can find my analysis on a few international films, not particularly well-known ones, that have spawned renowned Hollywood successes (whether critical or commercial). Maybe I can get you to watch either or both of them, and then get you to ask if the Hollywood remake added to the existing film it was indeed necessary.

Original vs Remake: Hollywood’s Need to Retell the Story (or the Lack Thereof)

You can find them here:

Oldboy (2003): https://amzn.to/365Sbjg

Oldboy (2013): https://amzn.to/351fkSn

La Jetée (1962): https://amzn.to/36fHhrn

Twelve Monkeys (1995): https://amzn.to/365rL0T

Wings of Desire (1987): https://amzn.to/356uVjA

City of Angels (1998): https://amzn.to/39mNpQs

Internal Affairs (2002): https://amzn.to/37jHvxo

The Departed (2006): https://amzn.to/2sjsVYh

Trick ‘r Treat (2007): Comedy / Horror

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Demons, witches, pranks going wrong, werewolves, serial killers and a virgin, all happen in a small town’s Halloween night.

Jack O’ Lantern’s favourite comedy/horror. Writer/Director Michael Dougherty offers great home entertainment by blending scared kids, horny teenagers, and mentally deranged adults in a non-linear narrative horror with plenty of laughs, quirky performances, snappy editing, and highly creative costumes. Winner of the 2009 Fright Meter Award for Best Horror, Trick ‘r Treat is surrounded by mystery itself as, without explanation, it was pulled from the schedule, did not get a theatrical release, and went straight to DVD two years later. Producer Brian Singer reunites the amazing Brian Cox and the mesmerising Anna Paquin after X-Men 2 (2003). So, turn the lights off, grab something unhealthy to munch, and forget about all of your problems for the next hour and twenty minutes. Happy Halloween!

You can find it here: https://amzn.to/2SA2DM2

Indie, Low Budget, and Utterly Mind-Bending

“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.

Below you can read my article on my personal top 5 indie, low budget and utterly mind-bending films (as the homonymous title dictates). I hope you enjoy it.

Indie, Low Budget, and Utterly Mind-Bending

You can find them here:

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Adapting 300: Mise en scène & Visual Effects

“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.

Below you can find my analysis on the adaptation of Zack Snyder’s film 300 (2006), and the creative choices behind framing and visual effects.

Adapting 300: Mise en scène & Visual Effects

You can find it here: https://amzn.to/2QqkgLA

Found Footage: Chronicles of Horror, Realism, and Case Studies

“The World of Apu”

“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.

Below you can find my analysis on the origins, the decades of contestation, the development and expansion, the impact, and the current status of the found footage horror subgenre. I hope you enjoy the ride.

http://theworldofapu.com/found-footage-chronicles-of-horror-realism-and-case-studies/

You can find them here:

https://amzn.to/2tdUB0p

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City of God (2002): Crime / Drama

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Through the eyes of a young, aspiring photographer, the “favelas” of Rio unfold stories of drugs, guns, kingpins, and gang wars where always the innocent paying the price.

4 Oscars nominations, 66 wins, another 38 nominations, top-rated movies #21 (IMDb, 2019). If it wasn’t for The Lord of the Rings: The Return of the King (2003) – which was nominated for 11 Oscars and won them all – it would have definitely won the “Best Editing” category. Fair enough. One of the best-edited films of the 21st century, City of God, tells the city’s true crime stories during the ’60s and the ’70s, in Fernando Meirelles’ brutally realistic documented way. Fear, insecurity, and despair spread throughout the streets of the slum overshadowing the beauty of people who have nothing to do with the gangs’ territorial issues.

Masterfully and non-linearly narrated, City of God delves into the poverty-stricken society of all Rio’s undesirables, digs deep into the characters’ soul and chronicles the rise and perseverance of violence.

Feature debut for the amazing Alice Braga.

You can find it here: https://amzn.to/352gIUU

Exam (2009): Mystery / Thriller

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Eight chosen contenders competing for the same position are locked in a highly respectable company’s exam room for the final test which is nothing like they have seen or experienced before.

A one-location, British psychological thriller that delves into the human psyche, and infiltrates man’s darkest thoughts. A prime example of a low-budget thriller that keeps the viewer wondering from the opening scene to the end credits what is the meaning of this test, what the question is, who truly everyone is, why were they chosen, and what is the company getting out of it.

Mysterious, entertaining, and claustrophobic, “Exam’s” storytelling relies on actual character study experiments and utilises Hitchcockian approaches that go back as far as “Lifeboat” (1944). Low budget / high standards! Hats off to cast and crew.

I say no more. Lights and phones off, and pay attention to the details. Enjoy!

You can find it here: https://amzn.to/39k34Qs

The Wrestler (2008): Drama / Sport

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An aging professional wrestler, with an unsuitable for him part-time job, is forced to quit wrestling, forget his past glory, and find a way to cope in a world outside the ring.

You know why reviews can be harsh sometimes? Because of films like this one. Shot with a micro-budget of $6,000,000, “The Wrestler” is almost a perfect film. So when you watch unbearable films having cost ten times more, it can be infuriating. With Darren Aronofsky believing in and fighting for Mickey Rourke, and both of them believing in and dedicating themselves to the project like their life depends on it, The Wrestler could only be a masterpiece.

In a form of a docudrama, Aronofsky “cuts loose” Mickey Rourke letting him write and improvise his character and Rourke, in his mid-fifties, shines like never before (Oscar nomination / Golden Globe win). Both of them debunk the myths of WWF, and old wrestlers either “break down and cry” or characterise it as a “dark misinterpretation”. Be it as it may, it certainly gives a perspective and sheds some light on the professional wrestling world’s backstage.

Then, Evan Rachel Wood proves once more she possesses the Midas Touch of acting, turning all her performances into gold. And last but definitely not least, the always magnificent actress Marisa Tomei, in her mid-forties, puts women half her age to shame. Their short appearance in the film creates the perfect subtext that leads the story to the direction it was inevitably meant to be led.

The Wrestler is about a man facing the consequences of doing what he always thought he was destined to do and kept on doing despite everyone else’s disapproval or discouragement. External influences that come out of envy, kindness, hate, or pure love. But sheer will to succeed and remain at the top and blind dedication blur the lines and don’t leave time to distinguish which is which. And I guess if you only possess them both you ignore the influences and aim at your destiny regardless of the consequences.

You can find it here: https://amzn.to/39lwLk0