Tonight, I’m interviewing Aris Lanaridis. Aris is a film & media composer, sound designer and music producer. Tonight, he is talking about how music affects and enhances the suspense in horror films and what principles dictate how and what kind of music is used.
Tonight, I’m interviewing Michelle Satchwell. Michelle, after shedding some new light on why kids are portrayed in certain ways in horror films, is coming back to talk about asylums and their portrayal in favourite, or not so favourite, horrors. The interview takes an interesting turn as she is pointing out that reality can be scarier than fiction as none of us is as free as we think we are. Regardless, the origins of asylums as the, arguably, scariest places a horror film can take place at is explained and so is the believability behind their projection.
Mental Health Act 1983 where people can be sectioned as “danger to self or others”.
Marie Jahoda (1958) “Ideal Mental Health” including six criteria; autonomy, self-actualisation, positive attitude to self, resistance to stress, accurate perception of reality, and environmental mastery.
Ethical guidelines originated from Nuremberg code (1947), later developed by the American Psychiatric Association (APA) and the British Psychological Society (BPS).
R.D Laing (1965) created a “safe heaven” for patients with Schizophrenia. This has been made into a film; Mad To Be Normal (2017).
Rosenhan (1973) carried out three experiments titled; ‘Insane in sane places’ of pseudo patients being diagnosed with Schizophrenia.
Both Laing and Rosenhan were part of the 1970s anti-psychiatry movement.
Thomas Szasz questions how mental health is defined and how it’s been ‘constructed’. In 1961, this was published as the “Myth of Mental Illness”. Then in 2011, released the “Myth of Mental Illness”, Revised 50 years later.
Valentine Douglas (2016) The CIA as organised crime. This covers “Project MK Ultra”.
Weindling (2016) looked at victims and survivors of Nazi human experiments.
International Classification of Diseases (ICD-11) was published in May 2019 and is used by the WHO in the UK and Europe. The Diagnostic Statistical Manual (DSM 5) published in May 2013 is used by the APA in America.
“The World of Apu” is a bimonthly, diverse, and multilingual online film magazine which explores film cultures from around the world.
Below you can find my analysis on soundtracks that have played a catalytic role in constructing powerful cinematic sequences. Some are well known, some not so much, and others, potentially unnoticeable to the vast majority.
The extended Griswold family gets together on Christmas Eve, and everything that can go wrong does.
It used to be one of the funniest Christmas family comedies of its time. The “Griswold House” became a term for the overly decorated houses in the US and Australia and so did the huge, awkward family gatherings. 30+ years later numerous R-rated movies that were influenced by the National Lampoon’s franchise have gone to greater lengths so, chances are that you will not find it as far-fetched as it used to be back then. That said, this merely means that the film has lost its value as, in reality, these extended family gatherings can still be awkward and difficult to handle and, for us who grew up with the franchise, this film comes always to mind.
Like with the rest of the Griswold family films, the amazing John Hughes pens the script and Chevy Chase leads the way. By his side, the gorgeous Beverly D’Angelo shines brighter than their house, and with them, Juliette Lewis, Johnny Galecki, Randy Quaid, Julia Louis-Dreyfus, and so many more Emmy, Golden Globe, and Oscar nominees and winners join the cast.
Still definitely worth watching, National Lampoon’s Christmas Vacation will always be a classic and will keep the smile on your face from start to finish.
A mother who lacks the Christmas spirit gets a visit from an angel who shows her what the meaning of this season is.
Remembering Mary Steenburgen in Christmas films, and more particularly in Elf (2003): https://atomic-temporary-153424946.wpcomstaging.com/2020/12/24/elf-2003-adventure-comedy-family/ I remembered One Magic Christmas. You see, I may not fan of Elf that much but this is a different kettle of fish. Director Philip Borsos invests in both story and character development and, if you are watching it for the first time, you won’t really know what to expect, or, at least, when to expect it. It takes forty five minutes for the inciting incident to happen but, until then, poverty, especially during the festive days comes to the foreground and that can be a film on it’s own. Countless of families were struggling then as much as they do now. They have been ripped apart while the vast minority is having a laugh. Destitution sucks the joy out everything and replaces it with misery and downright cynicism. Working from paycheck to paycheck, not being able to afford a decent meal – much less to dream… Can love be enough?
Well, that’s what the film is about. We all have the right to laugh and we all need hope. And Steenburgen, even though her reactions are watered down due to the nature of the film is absolutely thrilling. You might be watching a Disney film but don’t underestimate the harsh realities it dares to show. Do you know when you are watching a good film? When is full of plotholes, makes little sense, but still sucks you into it and evokes the emotions it was meant to.
Hey, it’s Christmas season so, turn the blind eye to the horrible reality out there and remember how you used to feel this time of the year as a kid. It will make a lot more sense then…
P.S. Film debut of the amazing Sarah Polley.
P.P.S. Despite his ongoing battle with leukemia, Philip Borsos kept directing till his last breath, at the age of 41.
A group of students of the most prestigious boarding school in the country forms a secret poetry society after meeting their eccentric but inspiring teacher, Mr. Keating.
What makes Dead Poets Society such a memorable film? Peter Weir’s directing? Tom Schulman’s writing? Robin Williams and his teaching of “Carpe Diem”? Robert Sean Leonard, Ethan Hawke, and the rest of the gang?
Dead Poets Society will always be a classic due to the aforementioned reasons individually, collectively, but for so much more. If you ask ten people what the film is about you’ll probably receive eleven different answers. Is it about poetry and its meaning? About questioning authority? Consequences? About parents who have kids only to tell them what to do and how to do it so they can feel “big”? Is it about love? How about seizing the day as the first step to pursuing your life’s dream?
The “O Captain! My Captain!” scene is the film’s narrative epiphany. Every step and every risk those kids take is meant to lead to that moment. But the way you will have perceived the film until then, what the film will mean to you until then, it will evoke different emotions inside you. It might be seen as a “white-rich-boys-problems” movie nowadays, but, for a couple of hours, pretend it’s you in that age and wonder what your dream was back then, how hard did you try to achieve it, and, ultimately, where are you now?
It is not a Christmas film but this time of the year I always flashback to inspiring films that made me fall in love with cinema as a kid. A film like this needs not my review. Just a reminder that it still exists and it still inspires.
P.S. “O Captain! My Captain!” was sorely remembered again by the media in 2014 amidst the unfortunate death of the acting giant Robin Williams.
P.P.S. Robert Sean Leonard who was the leading actor (next to Christian Bale) of another favourite film of mine while growing up, Swing Kids (1993), never became the A-list actor he deserved to be like Bale and Hawke did. Shame really…
Tonight, I’m interviewing Dr. Mathias Clasen. Mathias, among other things, is Associate Professor at Aarhus University, teaching at the School of Communication and Culture, director of Recreational Fear Lab, and Associate Editor of Evolutionary Studies in Imaginative Culture. Literary Darwinism, Gothic, Horror, Science Fiction, Fantasy, Apocalyptic and Post-apocalyptic Texts, but also Cognitive and Evolutionary Theory are only but a few of the research areas he specialises in. Tonight, he is talking to me about a very interesting research of his on the pandemic and horror films but also explains what it is that attracts us to the genre.
Tonight, Erik Kristopher Myers (ekm) is talking about the roots of the found footage subgenre, its evolution, its contribution to the cinema, and its effects on society. Myers is a writer and filmmaker. His film Roulette (2013) won numerous festival trophies and his latest feature Butterfly Kisses (2018) shot to the top of the Amazon charts for New Release Fantasy, scoring rave reviews. Myers has also won numerous awards for screenwriting and editing, and among others, he has been a producer for XM Satellite Radio, a reporter for WTOP News, and film critic for The Dagger and Ain’t it Cool News.
Tonight, Dr. Michael Lee is talking about the horror inside us and why and how one’s inner certainties and anxieties can render the everyday person monstrous. Dr. Lee teaches courses on 20th-century music history, American music history, film music and film studies at the University of Oklahoma. Over the years, he has been teaching courses on the history of horror films and one of his many specialties is Vampire Cinema. He is music historian, loving horror movies with passion and began researching their film scores and their diversified styles, especially, from the 1930s and 1940s. Listen to how our perception affects the way we interpret horrors and what was Val Lewton’s contribution.
Ashley Scott Meyers is a writer, producer and director and owns the blog sellingyourscreenplay.com where you can find practical tips and advice on how to sell your screenplay. He also runs SYS Select where you can subscribe to receive premium screenwriting leads, online coaching and mentoring, online courses, and more. Among other things, tonight, he is talking about the production and artistic differences between indie and studio level horrors, their perception by both audience and directors and the importance of narrative in filmmaking.