Let me introduce to you writer/director Hunter Richards. Is he well-known? No. Should he be? Definitely. What for? “London”! Unknown too? It shouldn’t be.
Addressing mostly the Hollywood lovers, “London” focuses on three characters portrayed by two actors and one actress who are known to be action heroes and one of the hottest women alive respectively. Chris Evans, Jason Statham, and Jessica Biel have been fully humanized, “made redundant” to people next door, and deal with everyday issues that you and I are troubled with. No heroes, no celebrities here.
“London” takes place profusely in a house party’s toilet where:
- Evans and Statham camp there as they are not welcome.
- Expensive paintings are used as a flat surface for everyone to constantly snort cocaine.
- Politics, religion, history, sociology, philosophy, drugs, human psyche, sadomasochism, and relationship issues are elaborated.
- Finally, while the aforementioned is happening, everyone comes in and out to do their needs.
Statham and Evans steal the show. They look at each other in the eye, are not afraid to go berserk, and their characters find mental and spiritual/psychological ablution. A brilliant cinematic reflection on how real-life introspection can be turned into a liberating life’s unfolding.